Casanova
Giacomo Casanova (1725-1798) was a famous lover of women
written about by biographers, historians, novelists, and playwrights.
Dramatized in the modern edutainment mass media of cinema and television, etc.,
actual video recordings of Casanova`s exploits are missed. Although Casanova`s
love affairs seem a matter of farce, he was a genuine hero in the Christian
mold. The reason for this is the animus
of a woman which, according to developmental psychologist Carl Gustav Jung
(1875-1961), is an archetype of what he termed the `archetypes of the
collective unconscious`, which emerged in dreams, art and the imagination to
assist human development. Jung argued that the animus was characterized as a `throng of male admirers` surrounding
a woman in her imagination. Casanova`s role as a lover exposed the fallacy of
`everybody loves a lover`. Pursued by enraged brothers, fathers, and would-be
suitors, etc., Casanova`s life was a genuine picture of the role of the woman`s
animus in the mind of the collective.
To understand is to know a little more about Jung`s theory of individuation,
which involved the concept of exogamous and endogamous marriage, that is,
marriage within the extended family characterized loosely as incest, and
marriage outside the tribe characterized loosely as estrangement. Jung`s mentor
was the `father of psychoanalysis`, Sigmund Freud (1856-1939), whose theory of
the `Oedipal complex` was central to his psychoanalytical method. Oedipus was a
character in the Greek dramatist Sophocles` Oedipus
Rex (c. 429 B.C.) who, meeting
his father, Laius, upon the road, killed him after an argument without knowing
who he was. Subsequently, Oedipus married his mother, Jocasta, and became king
of Thebes without knowing who she was. Upon discovering his `crime` of incest,
Oedipus blinded himself. The name Oedipus means` swollen foot` because his
parents, aware of a prophesy that he`d kill his father, left him lame after
exposing him on a hillside to die when he was an infant. Although it`s clear
that fear of the prophesy is a lame excuse for abandonment, Oedipus` lameness
is biblical. In Christian iconography Jesus` mother, the Virgin Mary, is
depicted crushing the head of the serpent with her foot, because the Jewish Messiah
born uncontaminated by male semen is `woman`s seed`: `Love your neighbor as you
love yourself.` (Mk: 12. 31) In Eden
God told the first woman, Eve, `You shall crush the head of the serpent with
your foot, but he shall bruise your heel. `(Gen:
3. 15) The serpent was the angel, Satan, who was expelled from heaven above and
left in the paradise of heaven on Earth after being transformed into a serpent
by God for rejecting the plan that the human host would be greater than the
angelic. Consequently, `woman`s seed` is for producing stronger brainpower to
defeat the brains of the `serpent` seed` who tempted Eve with the `fruit of the
tree of the knowledge of good and evil`, that is, death, whereas God had
provided the `fruit of the tree of life`, which is immortality. Advising Eve
and the first man, Adam, that he must labor while she`d experience labor pain
before the `enmity` of the `serpent`s seed` was overcome in Redemption, God
prefigured Jesus` birth as the futanarian `seed` of woman able to sexually reproduce
with women independently of men, which would produce brainpower strong enough
to defeat the brains of Satanists. Oedipus is an instance of lame braining,
that is, he symbolizes imbalance. After his self-blinding because of his
society`s taboo against incest, his daughter Antigone agrees to lead his steps
onward, whereas she`s the species of `woman`s seed` who should be looking for a
partner with whom to sexually reproduce. In other words, Laius and Oedipus
represent men who stand in the way of women`s sexually reproducing with each
other. As a single species women`s sexual reproduction isn`t characterized by
ownership, which is why Jesus` teaching is important: `At the
resurrection people will neither marry nor be given in marriage; they will be
like the angels in heaven.` (Matt: 22. 30) Because they aren`t lame
brained.
The ancient Greeks institutionalized host womb
enslavement for homosexuality and pederasty for war. In parasitological terms,
men correspond to the irredeemable parasite emerging from the enslaved host
womb. In the case of some parasitical life forms, the last stage is the
parasitoid devouring of the host. Consequently, HIV/AIDS, the `incurable killer
disease` of the late 20th century, which was spread by men`s mixing
of blood, shit and semen in each others` anuses in mockery of women`s mode of
sexual reproduction, and corresponds to the biblical `blood plague` (Rev: 11.6) written of by Jesus`
disciple, John, in Revelation, was
prepared by ancient Greece, which was held to be the model of Western
democracy: `Men cursed the God of heaven for their pains and their sores, but
refused to repent of what they had done.` (Rev:
16. 11) What they`d done was lame brain the human race for the sake of
maintaining slavery through ephemerality, whereas the mode of sexual
reproduction between women could produce stronger brainpower for immortality
through medical science and the permanent memory needed to maintain developed
labor saving technologies that ultimately would take `woman`s seed` to the
planets amongst the stars in colonizing starships. HIV/AIDS was the `biological
weapon` keeping women in fearful faithfulness to their ring slavers in
marriage, which is what the `Oedipal complex` of Freudian psychoanalysis is
actually about. Although Freud observed `penis envy` in women, he didn`t
correlate the absence of `woman`s seed` with women`s anger. The taboo against
incest is designed to prevent the subjugated species of `woman`s seed` from
sexually reproducing as a single species, rather than a married race, which
signifies slavery in ephemerality, rather than freedom and immortality. By
preventing women from sexually reproducing, while using the incest taboo as a
device to promote marriage with their `alien`, men ensure that human brainpower
can`t be produced sufficient to crush the head of Satan. In promoting the human
race as a single male brained creature wearing each others` clothes in
transvestism, the Greeks were inventing the `TV`. Although the television
machine wasn`t invented until 1926 by John Logie Baird, the Empires of the
Earth had already been developing the concept for millennia so that the evil
aliens could watch humans killing each other in the huge amphitheaters and
stadia that were built for that purpose, and which preceded the theaters of the
cinema movie industry, where actors performed the same entertainment through
film recording: `... women, in love scenes, at all times have `at least one
foot on the floor` (in other words, no love scenes in bed).`1 President Will
Hays of the Motion Picture Producers And Distributors of America`s (MPPDA)
establishment of the `Hays code` in 1930 effectively prevented women from
receiving sex education about their own species` capacity for sexually
reproducing brainpower enough to defeat Satanism and prepared the way for the
video age in which recorded killing could be watched as home entertainment
using the newly developing medium of the television machine. In other words, the
`TV` charnel house of the human species` `snuff movie`, prepared by the alien
parasitoid devourer for its entertainment, now had channels to choose from.
Pornography was another taboo preventing women
from receiving sex education about their own species` independence from men`s
slaving of their host wombs for warfare against her human race. If women didn`t
know they were the futanarian species of `woman`s seed`, they wouldn`t know
what to look for in the world`s mirror, and taught that they would want a man
they wouldn`t be able to see the vampire in the mirror of their dreams, which
is what women`s animus is for.
Although Jung defined the animus as
an archetype of the collective unconscious of the human race, it`s alien.
Approximating to a chase sequence in a movie, the behavior of the alien is
first to inveigle itself into the host womb in order to replicate before
emerging to devour her. The figure of the lover, Casanova, represents the
genuine desire of the human soul for love and replication, which is
Christ-like, whereas the alien seeks to enslave the host womb of the species in
order to wage war upon her. What has puzzled many amongst Jung`s adherents is
his declaration that women have no soul, whereas the animus is their spirit. Admitting of the existence of a soul in man
characterized by what he calls the anima,
an archetype arising from the repressed endogamous instinct for incest
relations with desirable women within the extended family, Jung fails to
perceive that the endogamous instinct is women`s desire not to marry an alien,
that is, the soul of humanity is women`s, whereas the animus is men`s spirit designing to kill her.
Jesus` teaching of Redemption through men`s
acceptance of `woman`s seed` and conversion through repentance of their sinful
nature is, in psychological terms, the perception that the anima is a projection of the soul of the species of woman desirous
of maintaining her species` connection with herself. When Jesus` disciple,
Judas, spied a woman anointing Jesus` feet with the expensive perfume,
spikenard, known for stealing from the collection plate after a sermon by the
Jewish Messiah, Judas suggested that the perfume be sold to raise money, but
Jesus demurred: `Leave her alone.` (Mk:
14. 6) Judas didn`t want `woman`s seed` to sexually reproduce brainpower to
escape from slavery in parasitism to the male braining Empire of Rome then
occupying Jewish Palestine and so he gave Jesus over to the Jewish religious
police, the Pharisees, for `thirty pieces of silver`, as a `dissident` against
Rome. The Pharisees handed Jesus over to the Romans who took him to the hill of
Calvary outside Jerusalem and nailed him to a cross of wood and left him to
die, but he had Resurrection and Ascension to heaven in prefiguration of that
of `woman`s seed`. Although Christianity uses the crucifix as a symbol of
Redemption, Jesus` crucifixion is what the alien parasitoid nature does to
humans, that is, it attempts to kill `woman`s seed`. Consequently, Christianity
is in grave danger of Satanism, because Jesus` death is perceived as a human
sacrifice by God for men, whereas Jesus` Resurrection and Ascension is a
promise from God to `woman`s seed` that she`ll have a new heaven and Earth,
while the evil parasitoid nature will have perdition, that is, eternal
unendurable pain as a punishment from God; if it remains irredeemably sinful. With
the woman anointing his feet, Jesus is in the position of Casanova, and because
he`s `woman`s seed` it`s a metaphor for sexual intercourse between women with
`seed` of their own. Consequently, Casanova`s path is what mankind`s path would
have been if men would have converted from their sinful nature as parasitoid
devourers of `woman`s seed`, because women`s is a single species without
prohibitions against their human nature`s sexual expression of its singularity.
In other words, `woman`s seed` doesn`t have a predator lurking in the bushes of
the garden waiting to pounce, because as an independent race women only have
eyes for each other.
The absence of `woman`s seed` from the mass
media edutainment system suggests that there aren`t any women on the planet
Earth, although Jesus` teaching of a Holy Spirit that would teach after his
death provides a clue as to the whereabouts of women. Upon his death the Roman
guard Longinus pierced Jesus` side with his spear. Known as the `Second Adam`
after the first Adam from whose side emerged Eve, the first woman, created by
God from Adam`s rib, Longinus` spearing of Jesus` side was effectively a
`caesarian section` in gynecological terms designed to birth a child trapped in
the body. Colloquially, God`s `foot` and Jesus` futanarian spirit was crushed
inside a Jew before Longinus` released her as the `Second Eve`. The logic would
be that women dwell outside the shell of men and women in heaven space on Earth.
According to Judaism Sheol is the `place of shards` or `broken vessels`, which
is hell, that is, men and women correspond not only to `TV`, but also to Sheol
as the shell women emerge from. If the single male brained creature wearing
each others` clothes as a transvestite `TV` doesn`t accept futanarian `woman`s
seed` they`ll remain in hell, that is, Sheol. The tragedy is that the human
race is kept in such blind ignorant unconscious occlusion by the mass media
edutainment system that most people don`t even know they`re in Sheol.
Consequently, if the ignorant encounter heaven on Earth, that is, futanarian
women, they`ll react badly, because they`ve been taught by the alien parasitoid
devourer to see women`s penis as an abomination, whereas Hollywood is called
`Babylon`, for she was a woman of the Bible
who gave her name to the capital city of the Persian Empire, Babylon (c. 4000
B.C.), as a symbol of women`s host womb enslavement to homosexuality in
pederasty for war against her own species of `woman`s seed`: `Mystery, Babylon
the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Producing the single male
brained creature wearing each others` clothes as a transvestite `TV` expressing
the alien parasitoid devourer`s nature in warfare against `woman`s seed` is
what Hollywood Babylon was for. Consequently, the beginning of the video age
was the age of the recording of the `snuff movie`, that is, the recorded real
life killing of `woman`s seed` for entertainment, whereas it`d always been
possible to afford women edutainment, that is, sexual knowledge of `woman`s
seed`. Casanova`s role then becomes evident as a scene setter for the
psychopathic killers that would come after him, whereas Jesus` Holy Spirit
represents the futanarian `tutelary guidance system` that could have educated
mankind into understanding what Casanova`s path meant for humanity, that is, a
path of love for women that would lead to heaven.
Many people have
observed the inexplicable phenomenon known by its French term de ja vu, that is, hasn`t this been seen
before? In simple terms, the lover has been there and the woman is recorded for
the `snuff movie` crew who`re there to pretend that they`re perdition, that is,
God`s punishment of eternal unendurable pain for the woman caught in flagrante delicto, whereas `woman`s
seed` is a single species uninhibited by marriage, so God`s perdition for
engaging in slave ring relationships isn`t hers. In short, `woman` seed` is
supposed by Satanism to be the `love of God`, which is pitched to
Christianity`s moral crusaders as reprehensible, so Satanists receive tacit
support from the community for murdering the protagonists in what amount to the
`snuffing out` of pre-recorded affairs in a real-life `snuff movie`
extravaganza, which even goes so far as to sanction warfare as a means of
executing soldiers by sending them to the front line where they`re expected to
die gloriously for their country`s honor, rather than enjoy the love of women
at home: `Your candle burned out long before your legend ever did.`2
Although pop star Elton John`s 1973 song, `Candle In The Wind`, was about
Hollywood Babylon movie star, and much publicized sex symbol, Marilyn Monroe,
who was found dead in the nude in 1962, the `snuffing` out of the light from a
star is what penisless women are bred for on Earth by the alien parasitoid
devourer of life and light beneath the sun star, where the futanarian human
species of `woman`s seed` seeks to grow and develop beyond the Earth to the
planets and stars of heaven above. De ja
vu is the sign of the lover`s star crossing the heavens, and its returning
light is the signal for the `snuff movie` actors to appear on the stage to
perform their grim business of expunging the recorded memory lest the human
protagonists remember the way they were:
`Mem'ries,
Light the corners of my mind
Misty water-colored memories
Of the way we were
Scattered pictures,
Of the smiles we left behind
Smiles we gave to one another
For the way we were
Can it be that it was all so simple then?
Or has time re-written every line?
If we had the chance to do it all again
Tell me, would we? Could we?`3
Light the corners of my mind
Misty water-colored memories
Of the way we were
Scattered pictures,
Of the smiles we left behind
Smiles we gave to one another
For the way we were
Can it be that it was all so simple then?
Or has time re-written every line?
If we had the chance to do it all again
Tell me, would we? Could we?`3
1 TV
Tropes, `Foot Popping`, http://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/
.
2 John,
Elton (music), and Bernie Taupin (lyrics), `Candle In The Wind`, Goodbye Yellow Brick Road, MCA, 1973.
3 Bergman, Alan, Marilyn Bergman (lyrics), and Marvin
Hamlisch (music), Barbara Streisand, `The Way We Were`, The Way We Were, Columbia Pictures, 1973.