Gay Deciever's NOB

Gay Deciever's NOB

 

The Pursuit of the Pankera: A Parallel Novel about Parallel Universes (2020) is a novel released after the death of Robert A. Heinlein (1907-88), edited by Patrick LoBrutto, who received a World Fantasy Award in 1986 for his work as an editor. The narrative proper doesn’t actually begin until page 173, and is indicated by the symbol <>,1 so that the reader can see where the supposedly new novel takes off, after the originally published The Number of the Beast (1980) version left off, which was retitled The Number of the Beast: A Parallel Novel About Parallel Universes to coincide with the 2020 publication, and was formerly the first science fiction work of an author to receive an advance from a publisher, Fawcett, of US $ 1, 000, 000.

 Although it’s fairly clear that Heinlein saw himself as a genius buttholed by a slaver, with the text requiring a degree in Freudian analysis to understand why it was that the author felt compelled to write what he had, it’s much more difficult to explain that the publishing industry represents what ‘the father of psychoanalysis’, Sigmund Freud (1856-1939), called ‘penis envy’,2 and is what readers complaints about the stilted dialogue of Heinlein’s NOB, and its awkwardly embarrassing treatment of sexual themes, were about, as Heinlein, trapped without alternatives by publishing conventions of what was appropriate for readers of science fiction to read, wasn’t able to explain, without convoluted symbolic narratives, requiring literary analysis outside the scope of most of his readership, that he wasn’t writing about humans, but TV.

Before evaluating the putative later novel, after the somehow cobbled together Variable Star (2006) by Spider Robinson, from a 1955 outline of seven pages of notes by ‘Bob’ about aliens destroying the Earth, it’s necessary to analyze where the reader is in relation to previous works, for example, The Number of the Beast, which is usually abbreviated to NOB by literary critics, perhaps so that they can describe it as Heinlein’s Gay NOB, as the plot revolves around the invention of a ‘continua device’ built into a flying car, ‘Gay Deciever’, with the inaccurate spelling favored throughout, as an allusion to computer software company Microsoft’s Internet Explorer (IE), which allows the occupants to travel to all possible alternative universes, including those commonly believed to be fictional. Although the idea seems original and exciting, it’s unlikely to attract movie studios, even in the United States, where Heinlein was born in Butler, state of Missouri, on July 7^th, 1907, because of his perceived ‘talkiness’, which readers have often been reported as complaining gets in the way of the action and plot development. However, as novels of ideas, Heinlein’s books aren’t primarily about action, because the plot is largely driven by a philosophical standpoint, which is being examined by the author to entertain and beguile the reader.

 The concept of beguiling the reader is important, as that’s the writer’s art, despite occasional complaints that the reading of a novel had been a waste of a person’s time, which is understandable in that for people reading is an investment of time and money, but not to the same extent as it is for a writer, which is also a significant observation to be borne in mind when making comments as a literary critic. However, there are certain basic elements to NOB often overlooked, for example, the space-time continua car that, like the English BBC TV ‘tardis’, in the long-running science fiction serial, Doctor Who (1963-), which like Gay Deciever also does service as a spaceship, calls for consideration of the phrase ‘O Gay’, which makes it appear as a djinn, that is, it’s a car and djinn, with a computer pilot, Dora, who responds as any human would, and with the voice of a ‘little girl’, in the role of the djinn in the bottle, as it were, like ‘the Doctor’, who emerges from the tardis, disguised as a police box, with the blue lamp on top, along with his female assistant, as TV slaves.

 Heinlein’s four human characters, Jake, Zeb, Hilda, and Deety, correlate with the four functions of consciousness, as delineated by Swiss developmental psychologist, Carl Gustav Jung (1875-1961), with Heinlein’s unconscious self and conscious ego coming under the microscope,3 as the raison d'être for the four characters’ interactions. Heinlein’s mind was working on what Jung called the individuation process, whereby the ego facilitates the emergence of a more conscious self’s totality in the examination of fragments of formerly unconscious psychic components. What he described was how slavery makes buttholes out of genius, as sexual activity interferes with the slavers’ business of niggering everything to make it produce, which is why homosexuals don’t need humans.

 ‘O Gay’ is a correlative of ‘Okay’ of course, which means ‘good’ simply, although as a homosexual is usually called ‘gay’, it’s difficult to see, because castration is necessary in the production of more buttholes for inventive geniuses to pop out of as slaves of the master, which Heinlein was after his novel, Time Enough For Love (1973), about the adventures of the ostensibly immortal, Lazarus Long, for which he was awarded the title, Grand Master, by the science fiction writer’s association (SFWA), while the emergence of the ‘incurable killer disease’, AIDS, in the late 20^th century, as discovered by Africa’s DR Congo in 1983, for example, doesn’t correlate with good. The human immune deficiency virus (HIV) was discovered to be a mutant variant of the simian immune deficiency virus (SIV), causing acquired immune deficiency syndrome (AIDS), collapse of the organs of the body, and brain death, which doesn’t sit well with the sign for good adopted by the US’ and citizens globally, that is, thumb and forefinger held together making an ‘O’ with the rest of the fingers stretched out to make the sign of the buttholed djinn, who in Heinlein’s novel corresponds to Jacob ‘Jake’ Burroughs, as the inventor, ‘Okay, switch on her ears.’4

 With her rear switched on Gay is where it sat, as it were, although the homosexual allusiveness does seem a tad misogynistic. According to Jungian psychology, the ears correlate with the ‘Thinking’ function, while eyes are ‘Sensation’, nose and/or smell is ‘Intuition’, and mouth/taste is ‘Feeling’. Moreover, as ears warn humans of danger from their rears, homosexuals are the animal that preys there, which means that it’s an evil end djinn that wants to use the human as its butthole, as that’s how it slaves, while the castrated human becomes a ‘genie’, that is, capable of thinking, the tortured AIDS victim still has its own end to look forward at. Evil engines are familiar to French literature, as having been devices of the Marquis de Sade’s, which were torture equipment designed to enhance his sexual pleasure, according to such works as The 120 Days of Sodom (1785), which seem to precurse the Marquis doing AIDS, although it wasn’t then clearly agenda.

 During the crew of Gay’s escapade on Mars, where the colonists are the British and Russian Empire, ‘wogs’ or ‘vermin’ are hermaphroditic black people, being whipped, as they farm the marijuana crop and chew weed as a palliative. While difficult to get to grips with, it’s Heinlein’s vision of the future of Islam. Although the Moslems of the nations of Islam are defined internally as equals, in practice the white Arabs have the whip hand over the black Africans, for example, during the civil war in East Africa’s Sudan (2003-), also known as ‘The Land Cruiser War’, because of the widespread use of Japanese Toyota Land Cruiser cars as ‘technicals’, that is, a non-standard tactical vehicle (NSTV), like Gay Deciever, with a machine gun mounted for light improvised fighting, the predominantly Arab government paid Janjaweed militia to hunt and kill black ‘rebels’ in the Darfur province, as if they were animals.

 Although Islam doesn’t appear overtly racist the overly nice distinction between the women clad publicly in their one-piece coverall, the black burka, to prevent their being seen, contrasts starkly with the long white shirt, the thob, worn by their visibly bearded men, while the sight of the burka women queuing for a burger bag at MacDonald’s raises more than a quizzical eyebrow for the discerning Westerner alive to stories of white slavers and cannibalism. Islam diverged from Judaism, with the receiving by the Prophet Mohamed of the Koran (610-30 C.E.) by the angels of God, according to Moslem tradition, which primarily is known in the West for permitting four wives to Moslem families, whereas Judaism, founded by the first son of Abraham, Isaac, and wife Sara, is monogamous. Although Islam is deemed to have been founded by Mohamed’s patrilineal ancestor, Abraham’s second son, Ishmael, born of Hajer, a concubine, called ‘the Egyptian woman’ (Gen: 16. 1) in the Old Testament of what the Christian religion calls its Bible, which is the Torah and Talmud of the Jews, that is, their history and law, Abraham isn’t condemned as adulterous, whereas Islam is determined by Christianity to be illegitimate, as Hajer was an adulterous liaison, which the permitting of polygamy by the Koran attempted to legitimize.

 Looking at the foundations of Judeo-Christianity, the New Testament of the Christian Bible, which they believe supersedes that of the Old Testament of the Jews, is based on the teaching of Jesus ‘Christ’, ‘the chosen’, who was killed after being found with a woman by his disciple, Judas, but experienced Resurrection and Ascension to heaven, after being taken to the hill of Calvary outside the city of Jerusalem in Jewish Palestine, where he was nailed to a cross of wood and died there. In 21^st century terms he was killed for looking at a woman with adultery in his heart. However, as Jesus was born of his mother, the Virgin Mary, uncontaminated by male semen, he was women’s seed, which is a distinct species separate from men, who’re the race of women’s adulterate, so the placing of women in black burka bags to indicate that they’re relatives of the Egyptian woman, Hajer, is Arab racism, rather than a sign of protection against adultery.

 The Jews’ story is of how the creator, God, turned the angel, Satan, into a serpent, and placed it in the paradise of Eden, for rejecting God’s plan that the human host be greater than the angelic. Satan tempted the woman, Eve, to ‘eat of the fruit of the tree of the knowledge of good and evil’, which it was death to taste, saying ‘You shall be as gods.’ (Gen: 3. 5) God expelled Eve and the first man, Adam, from Eden for rejecting the ‘fruit of the tree of life’, which was immortality, for slavery in ephemerality to the serpent’s seed, but promised Eve, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) As the human futanarian species of women’s seed have their own penis’ semen for their own host wombs, they’re Eve’s ‘foot’, which is capable of developing the medicine and technology to achieve immortality, as well as the colonization of the planets amongst the stars. Jesus’ Resurrection and Ascension to heaven is a prefiguration of that of women’s seed, which is why Judas had him killed for being with a woman, as the Jewish religious police, the Pharisees, and the Emperor of Rome, Tiberius Caesar Augustus (14-27 C.E), whose legions were then occupying Jewish Palestine, didn’t want women’s human race to sexually reproduce brainpower to facilitate their escape from slavery.

 In the midrash of Judaic scholarship Adam is identified as a hermaphrodite, which suggests that the creation of Eve from the side of Adam is a euphemism for a self-fertilizing futanarian species, that is, both Adam and Eve were women’s seed. Consequently, for Heinlein’s Gay NOB women’s seed are the equivalent of black slaves, ‘The men carried whips; vermin were muzzled. This one vermin - - well, "wog" - - this wog had managed to pull its muzzle aside and was stuffing this weedy plant into its mouth … when a whip cracked across its naked back. It cried.’5 It’s significant that these scenes are a part of a wider political picture in which the antagonists are the British and Russian Empires, as Russia contains a large Moslem population, whose belief structure corresponds in large part to the atheistic communism adapted by what became the Union of Soviet Socialist Republics (USSR), after the October 1917 revolution, led by Vladimir Ilyich ‘Lenin’ to depose Russia’s Tsar, Nicholas II, during the First World War (1914-18) with Germany’s ambitions to enslave the Earth. The British Empire was on the side of the victors, as it was again during the Second World War (1939-45) against Germany’s ambitions to enslave the Earth, and Russia was again too, although the result was the ‘Cold War’ between the West and the USSR (CCCP), which refused to leave those Eastern European nations it had occupied, as its Red Army advanced to capture the German capital city, Berlin.

Russia’s communist ideology was derived from German economic philosopher Karl Marx’s Das Kapital (1868), which envisioned a workers co-operative without bosses at the center of industrial economics, and its symbol was the hammer and the sickle, that is, industry and farming. However, the sickle is traditionally associated with the grim reaper, that is, death, while Islam’s symbol is the star and the sickle, which suggests colonization of the planets amongst the stars, for example, Mars, followed by the reaping of the sown, which implies that after women’s seed, with all of the host wombs and all of the seed of the human race, have made a place for themselves to live amongst the stars of heaven above, the misanthropic religion of atheist communism, Islam, will be called upon to butcher the women as ‘wogs’ and steal whatever they can, which concludes the ideological background for The Pursuit of the Pankera.

 It’s worth considering the novelist’s art and role here too. Although Heinlein was accused of latent homosexuality in his fictions, there’s little evidence to suggest that was anything more than the result of having to comply with the blatantly pederast overtones of publishers for whom the promotion of pedophilia over anything remotely concerning adult themes was literarily predominant in terms of their success financially with whomsoever was their alien ‘overlord’, as fellow science fiction writer, Britain’s Arthur C. Clarke, also boldly speculated to be the truth in his novel, Childhood’s End (1953), where the human race is persuaded by the ‘Overlords’, who look a lot like common pictorial representations of Satan, with horns, to stand in fields, while their brains are sucked out into the vacuum of space, after being promised eternal life there, and with education a dim flicker of irritation beyond this horizontal hold on the TV screen of a future without annoying human nature.

 Writers present images without substance, which means they rely foremost on the imagination of the reader to keep the attention of the mind and hopefully sell more books after they’re accepted for publication by a publisher, which means that the imagination of the reader and the writer has to accord with the expectations of the publisher who in a very real sense is then in a position to dictate to the public what they can and cannot read. The result is TV fiction and TV life, without women’s seed, and indeed without women or humans, as the overlords have bred their brains out of existence to replace the human species with a single male brained creature wearing each other’s clothes as a TV transvestite, effectively waging war against women as an alien, as Jesus’ disciple, John, foresaw in his apocalyptic vision of the future, Revelation, ‘The dragon was wroth with the woman and went to wage war on the remnant of her seed.’ (Rev: 12. 17) With the male brained the action is all one way, that is, those on the receiving end of the bullet are women, because they’re perceived as under, which was the criteria applied in early Judaic literature in which the first woman, Lilith, left Adam because he wanted her to lie underneath him. Consequently, all of the wars since them have been Judaism’s efforts to get the woman to lie still. In simple terms, when the human race is dead, the alien will have triumphed.

 In Heinlein’s last and twelfth novel written for juveniles, that is, apart from Variable Star, and his juvenile for girls, Podkayne of Mars (1963), the heroine of Starship Troopers (1959) is Carmen Ibanez who, piloting the Terran Federation Corvette Transport (TFCT), Rodger Young, drops ‘Rico’s Roughnecks’, her Mobile Infantry (MI) contingent, into battle zones, and is portrayed by actress sex symbol, Denise Richards, in the 1997 movie; bringing substance to a book that isn’t to be felt or seen in the original text. The point missing is that Denise wouldn’t want to drop her bombs on her mom, whereas as futanarian women’s seed are the human species’ extended family on the planet Earth, dropping bombs on women’s moms is what men are for, that is, they’re adulterous aliens poisoning the human race for the stars. The point about novel writing is that, after castrating the species of women, her tits can’t be seen either, but it’s riveting snuff with imagining her being killed [the alien at the shoulder] for its entertainment.

 

1 Heinlein, Robert A. The Pursuit of the Pankera: A Parallel Novel about Parallel Universes, Caezik SF and Fantasy, Arc Manor, Shahid Mahmud, Rockville, Maryland, 2020, Ch. 18, ‘Zebadiah’, p. 173.

2 Freud, Sigmund Fragments of an Analysis of a Case of Hysteria, ‘The Case of Dora’, Standard Edition Vol. 7, 1905, pp. 1–122.

3 Heinlein, Robert A. The Number of the Beast, Ch. 25, “- - leave bad enough alone!”, Fawcett, 1980, p. 150.

4 Bright, Robin Self Begetting Ourobouros: The Science Fiction of Robert A. Heinlein, Lambert, 2019, p. 215.

5 Heinlein, Robert A. The Number of the Beast, Ch. 29, “- - we place no faith in princes.”, Fawcett, 1980, p. 181.

The Selfie's Jesus

 The Selfie's Jesus

 

Amongst so-called primitive peoples the belief that a photograph in some way captures the soul and thereby takes away the life source of the photographed is common. The perception is based on the concept of animism, which is most pronounced as a spiritual idea in the Japanese Shinto religion where ‘ancestor worship’ is characterized by kami, that is, spirits, who’d lived in the past, but now approximate to what the West understand by the term ‘revenant’, although properly understood a revenant, that is, an individual who has lived, is the victim of a vampire, which is the origins of primitive peoples belief that photographs in some way make revenants of them, for example, it’s the Moslem belief amongst the peoples of the nations of Islam that there was a man called Jesus who died, but it wasn’t him, which is a way of saying that his life source was devoured by a vampire, who lived after his death, as a revenant, whereas in the religion of Christianity, based on the teaching of Jesus ‘Christ’, ‘the chosen’, Jesus, who was killed after being found with a woman by his disciple, Judas, experienced Resurrection and Ascension to heaven, after being taken to the hill of Calvary outside the city of Jerusalem in Jewish Palestine, where he was nailed to a cross of wood and died there. Although the belief in Christianity is that Jesus’ fate somehow redeemed them, from the point of view of the vampire that’s what humans are for. They’re kami, killed so that the vampire can live from their life source as revenants. As pop music star Britney Spears’ lyrics observe in ‘If You Seek Amy’ (F * U * C * K me), kami being hunted is the basis for violence, war, and death, as necessary for the vampire to gain access to the life force of the human that it needs must have in order to ensure its continuance:

 

‘Tell me, have you seen her?

'Cause I'm so, oh

I can't get her off of my brain

I just wanna go to the party she gon' go

Can somebody take me home?

Ha, ha, he, he, ha, ha, ho.’1

 

 As gon’ is an abbreviation of gone, that is, going gone, the subject of the song is the snuffing of a past life, while the rationale is that Amy is preying on the mind of the singer in such a way that she feels it a threat to her life force’s continuance, which is how the snuff industry pitches to the stars. F * U * C * kami because that’s the past. It’s more complicated than that, of course, as Jesus was born of his mother, the Virgin Mary, uncontaminated by male semen, that is, he was women’s seed, which means that women are the snuff industry’s prime target. Although the New Testament of what Christians call the Bible is deemed to have superseded the Old Testament of the Jews, which is their Torah and Talmud, that is, their history and law, it’s the story of how the creator, God, turned the angel, Satan, into a serpent, and placed it in the paradise of Eden, for rejecting God’s plan that the human host be greater than the angelic, which is the basis for women’s seed. Satan tempted the woman, Eve, to ‘eat of the fruit of the tree of the knowledge of good and evil’, which it was death to taste, saying ‘You shall be as gods.’ (Gen: 3. 5) God expelled Eve and the first man, Adam, from Eden for rejecting the ‘fruit of the tree of life’, which was immortality, for slavery in ephemerality to the serpent’s seed, but promised Eve, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) As the human futanarian species of women’s seed have their own penis’ semen for their own host wombs, they’re Eve’s ‘foot’, which is capable of developing the medicine and technology to achieve immortality, as well as the colonization of the planets amongst the stars, that is, Jesus’ Resurrection and Ascension to heaven is a prefiguration of that of women’s seed, which is why Judas had him killed for being with a woman, as the Jewish religious police, the Pharisees, and the Emperor of Rome, Tiberius Caesar Augustus (14-27 C.E), whose legions were then occupying Jewish Palestine, didn’t want women’s human race to sexually reproduce brainpower to assist in their escaping slavery.

 As homosexuals want to be behind, they’re vampire slavery, for example, backwardness in primitive societies, attributable to poor health and technology, was characterized in the late 20^th century by the ‘incurable killer disease’, AIDS, and the global epidemic, SARS, in the early 21^st century, which emerging from a Wuhan city hospital, Hubei province, China, killed millions. As science defined severe acute respiratory syndrome (SARS) as an AIDS related disease, and AIDS was discovered to be a mutated simian immune deficiency virus (SIV), transmitted by homosexuals inserting each other’s penises into each other’s anuses, by Africa’s DR Congo in 1983, which collapsed the organs of the body, before brain death ensued, it constituted a ‘biological weapon’ deployed by homosexuality as representing the alien vampire slavers of the human ‘foot’ race to the stars. In simple terms, the human species has to be lame and crippled, that is, backward, with the homosexual behind it all the way, so that the vampire slaver can live as a revenant, as Jesus’ disciple John wrote in his apocalyptic vision of the future, ‘The dragon was wroth with the woman and went to wage war on the remnant of her seed.’ (Rev: 12. 17) Traditionally, vampire are draco, that is, in Eastern Europe, draco voivode means a region administrated by a dragon,  for example, 15^th century Prince Vlad Dracul III of Wallachia, later modern Romania, who was the inspiration for Irish writer Bram Stoker’s vampire novel, Dracula (1897), was a draco voivode, known as Vlad ‘the impaler’, because of his obviously homosexual penchant for impaling his enemies on stakes of wood, through the anus, until their brains were pierced.

 That Vlad’s psychological profile derives from that homosexual activity is the psychoanalytical basis for arguing that SARS, with its symptoms of flatulence before brain death, is psycho-physically AIDS related in that homosexuality’s anal penetration of its victims is causative. Moreover, Vlad’s namesake, Putin, President of the Russian Federation, ordered the Russian Red Army to invade the Ukraine on February 24^th, 2022, with the TOS (TOC) 1 and 2 heavy flamethrower system as its main field weapon, that is, the fire breathing dragon written of by Jesus’ disciple, John, ‘The dragon stood before the woman who was about to give birth so that it might devour her child the moment it was born.’ (Rev: 12. 4) That the Ukraine was about to apply for membership of the European Union of states, and closely corresponds to the woman of John’s apocalypse, further evidences the role of Vlad as the draco precursor of AIDS/SARS, as the first stage TOS missile launch is a flammable gas reminiscent of flatulence, while the second stage is designed to fierily consume victims by burning all of the oxygen in the immediate environment of the attack, in much the same way as SARS virally consumes the lungs of the victim before death, ‘A great sign appeared in heaven:  a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.’ (Rev: 12. 1) As the flag of the European Union has twelve stars, the woman corresponds to Vlad Putin’s stake in the Ukraine. Although it’s legendary that the vampire can only be killed by a stake through the heart, or decapitation, that’s actually the role of women’s seed, as the vampire hasn’t any stake in her species, so her seed is the stake in the vampire’s heart and its decapitation, as without host wombs it’s dead.

 Also according to legend the vampire can’t be seen in the mirror, which is true if it’s considered that men and women are manufactured as a single male brained creature wearing each other’s clothes in TV transvestism, because TV is all that can be seen in the mirror, which is the vampire’s invisible presence. While primitive societies believe that photographs take away their life source, as they also believe that reflections do the same, it’s logical to examine the basis of such ideological preoccupations. Everyone has heard of the doppelganger phenomenon of someone who appears identical with another individual to the extent that everyone believes they’re the same person, while the trade in fake photographs of pop and movie stars making pornographic videos is cited as the basis for making use of their image without permission illegal. However, it’s perfectly logical for the porn star to be working, while the pop, or music star, is working too, even though there’s some doubt about whether they’re the same star.

 Jesus’ birth was known by ‘the star of Bethlehem’, according to the New Testament, as he was born in that town in a stable, as Mary, his mother, and husband, Joseph, were fulfilling a census requirement of the Roman Empire, and they had nowhere else to stay en route. As men have effectively killed the human futanarian species of women’s seed by denying it birth, it amounts to what primitive societies abhor, which is the taking of a picture, so that the taker will live, that is, the vampire, which is the reason for Jesus’ birth, as the representative of women’s seed, being heralded by the star of Bethlehem, and the angels of God, as the future redeemer of the human race, because he didn’t drink the blood of virgins in order to live, whereas those who deny the birth of the human race do. As it’s in the interests of alien slavery to prevent women’s seed from succeeding, they invented the incest taboo, where women are taught that sex within their species’ family is forbidden, that is, sex between women is presented as so absolutely impossible it isn’t even considerable as an item on the agenda for discussion between female members. Although the convention is that women are bound by marriage rings, they’re also fettered by time, for example, it’s deemed impossible for a woman to be futanarian in high school, but married without her penis later. Leaving aside castration as a reason for the absence of women’s seed, if the woman in high school is killed by the vampire, on the understanding that the life force of the woman later married is being concentrated, as the lyrics to ‘Killing Yourself To Live’ (1974) by rock group Black Sabbath imply, time travel is a proven secret weapon being deployed against the human race by an alien:

 

‘So you think it's me who's strange

But you've never had to make the change

Never give your trust away

You'll end up in paying till your dying day.’2

 

 The ‘change’ is the transition from women’s seed, which makes eunuchs of women, and men sterile, in the sense that they’ll lack the host wombs of the self-fertilizing futanarian race, if they mistakenly place their trust in castration by enslaving homosexuality, which only wants the human race to be behind it. However, in the illegal snuff movie industry the recorded killing of famous lookalikes to sell as entertainment videos is a business endeavor, which is appealing to the evil, who’re unconcernedly pocketing the deaths of perhaps themselves, as well as the fake victims of pedophile cash for kids rings who travel through time to perpetrate their crimes. As incest is a taboo designed to prevent the human race from being born, time is an invention of the alien, designed to prevent the human species from preventing its picture from being taken, that is, primitive societies who abhor having their photographs taken do so because they don’t want to be kami, as the Japanese religion of Shinto calls the ‘remnant’ of women’s seed, while the vampire lives as a revenant. Only if people believe that time is linear, that is, a straight line, can they be convinced to leave their past lives alone, which makes it possible for those who accept that time is cyclical to snuff there. Events of the 20^th century made it clear that national police, if not the armed forces internationally, are a racist tool of the power that businesses have to make sure that the people are snuffed, so that enslaving homosexuality can get behind the humans to race their line to their finish in the future.

 According to the Old Testament of the Bible, the ‘feminine spirit of God’, who dwelt in the tent of the tabernacle, during the Jews exodus from slavery in Egypt to the Pharaoh Thutmose III (1479-1425 B.C.) en route to the land God had promised in Palestine, was ‘the Shekinah’, who Jesus describes as the Holy Spirit, although it’s evident from the story of Eve, who was created from the side of Adam by God, according to the Old Testament narrative, that she corresponds to the Holy Spirit, which is the reason for the Roman guard, Longinus, putting his spear into the side of Jesus at his crucifixion, ‘Surely, this was the son of God.’ (Matt: 27. 54) In the midrash of Judaic scholarship Adam is identified as a hermaphrodite, which suggests that the creation of Eve from the side of Adam is a euphemism for a self-fertilizing futanarian species, that is, both Adam and Eve were women’s seed. Consequently, the Roman guard, Longinus, was making sure that Jesus, ‘the Second Adam’, according to Christianity, wouldn’t have a woman by his side. In terms of cinematography, Jesus was killed because he was taking the limelight from the Emperor of Rome, Tiberius Caesar Augustus, which Rome’s pagans understood as a diminishing of the life force of a god, that is, he was interfering with the picture they were making, which only included women as a host womb sex slave for the conquering legions of their Empire.

 The global Empire preceding that of the Romans of Italy was ancient Greece’s, whose implementation of a policy of host womb enslavement of women in homosexuality for pederasty to produce soldiers to wage war (499-449 B.C.) against the Persian Empire of Darius, would seem to have been a standard measure, according to Jesus’ disciple John’s description of the capital city of the Persians, Babylon, founded c. 4000 B.C., ‘Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.’ (Rev: 17. 5) In other words, homosexuality’s earliest disease was war, so that they could get behind it. As the past is generally thought of as being behind the future, that’s where homosexual slavery would want to be based, where it can castrate women’s seed and promote war for the human race to be behind, which is the goal for a homosexual society that wants generations to grow up listening to musicassettes in the cigarette laden fumes of automobiles, symbolically representing the smoking of their species’ penis down to its butt, rather than bluetooth MP3 personal stereos, linked to smart ‘phone technology, assisting the pedestrian to move ‘hands free’, without the disabling vehicle, designed to make sure they’re castrated, at least for as long as the automobile, as mobile ‘phone, takes its passengers, as TV pictures of a life force depleted, to their demon driven destination.

 Although pornography is criminalized as being for adults only, in fact it’s human nature that’s being abominated by the alien slaver. As TV is human nature with the human taken out of it, that is, women’s seed, pornography is human nature with the alien put into it, where women are presented as meat, for example, being skewered in preparation for a barbecue, which is why pregnant women are often described in English vernacular as having a bun in the oven, as it’s ghoulish humor for cannibals, although in strict terms women’s seed is preyed upon by a parasitoid living from the human species’ womb. A key feature of the biblical narrative of Eve and Adam is their appearing ashamed of their nakedness. However, logically it’s difficult to imagine a species being ashamed of its own nature. Consequently, it’s alien propaganda against women’s seed, that is, the human race, to have it believe that its nature is shameful, while the biblical narrative of Satan’s persuading Eve and Adam to accept slavery in ephemerality is shameful, as it’s Judaism. The Jews didn’t invent God, as Judaism didn’t begin until Isaac, the eldest son of Abraham, founded it, which suggests that the narrative known as ‘the fall’ of human nature is slaver propaganda, written by aliens calling themselves Jews, who saw that they could slave the human race if it was ashamed of its own nature. That both Eve and Adam were women’s seed, as Eve was a birth from futanarian Adam’s self-fertilizing, suggests that Satan and the angels of the angelic host that rebelled against God with him, were the Jews’ mythology of themselves, which is the basis for Eve and Adam’s perception that they’re shameful in accepting species’ slavery for the human race of futanarian women’s seed, while what humans are taught are men are the vampires that manufacture it as an asexual TV creature, trained to believe its nature is so shameful it kills itself in wars to assuage the thirst of its vampires, as it isn’t even educated well enough in human biology to be able to recognize what its own race looks like.

 

1 Martin, Max, Savan Kotecha, Alexander Kronlund, Shellback ‘If You Seek Amy’, Britney Spears, Circus, Jive, 2008.

2 Butler, Geezer, Tony Iommi, Ozzy Osbourne, and Bill Ward ‘Killing Yourself To Live’, Black Sabbath, Sabbath Bloody Sabbath, Vertigo, 1974.