`Attacob!`
J. R. R. Tolkien`s famous trilogy, The Lord Of The Rings (1954-5), was made into the Hollywood movies,
The Fellowship Of The Ring (2001), The Two Towers (2002) and The Return Of The King
(2003), while The Hobbit (1937), Tolkien`s
story for children, was filmed as a trilogy, An Unexpected Journey (2012), The
Desolation Of Smaug (2013) and There
And Back Again (2014) about Bilbo, one of the `halfling` heroes, who live
in holes with round doors in their town of Hobbiton. The hobbit, Bilbo, has
Christ-like attributes as a savior amongst people and his emergence from his
little hole with its round front door along Bagshot Row is reminiscent of
Jesus` emerging from the tomb of his death after his crucifixion by the Romans
for dissidency, that is, preaching `love your neighbor` (Mk: 12. 31) and forgiveness, before the final battle between good
and evil results in the `last judgement` by God upon mankind and eternal
unendurable pain for the wicked. Jesus` Resurrection from the sepulchre of his
entombment by the mysterious means of a stone being rolled away from his burial
place to allow him egress before his Ascension to heaven is similar to Bilbo`s
departure with his companions to defend the men of Esgaroth, Lake Town, and
kill the dragon, Smaug, attacking it.
Bilbo`s nephew,
Frodo, is the hero of The Lord Of The
Rings and his main heroic act is to kill the giant spider, Shelob, on his
way to destroy the ring of power, which was Lord Sauron`s, and still sustains the
Dark Lord in Mordor, from where his armies are spreading to defeat the nations
of the Earth allied against his evil ambition to enslave all. Frodo has to
throw the ring into the volcano, Mt Doom, and Shelob is in his way. `Flies And
Spiders` is the eighth chapter of The
Hobbit in which Bilbo and his party encounter giant spiders in a woody
clearing in the forest of Mirkwood and beat them off with cries of `Attacob!`
which refers to the name for the male spider, that is, the cob, while the female`s
a `pen`:
`Somehow [after]
the killing of this giant spider . . . [h]e felt a different person, and much
fiercer and bolder in spite of an empty stomach, as he wiped his sword on the
grass and put it back into its sheath.`
J. R. R. Tolkien`s
whimsy may`ve been of `big cobs`, where `gob` is English vernacular for mouth
and `big gob` is a `loudmouth`, that is, an illiterate. According to the Bible, the `pen` is `mightier than the
sword`, because of the omnipotent role of the `Word of God` from the creator`s
pen as it writes in creation through women`s host wombs. The cry `Attacob!` amongst
the party of travelers in The Hobbit
by Tolkien when attacked by spiders suggests the fiction is being defended
against the `big gobs` of illiteracy. In The
Return Of The King, Bilbo`s nephew, Frodo, has to take a short route by
means of underground caverns, where he encounters Shelob, an ancient `pen`, and
kills her. The meeting is in stark contrast to Bilbo and Frodo`s encountering
Galadriel, the `Lady of the Golden Wood`, who is an elf.
The role of the
spider in film is appreciable. In the BBC TV science fiction series, Doctor Who (1963-) spiders are depicted
as `controlling`1 humans in Planet Of The
Spiders (1974) and having humans as their slaves. In the developmental
psychology of Carl Gustav Jung (1875-1961), the spider is a symbol of the
`Self` which, rather than having the human as its slave, is its articulation. Tolkien`s
spiders and his elves in Lord Of The
Rings correspond to Jung`s selves rather than spiders` slaves, which is
what some humans fear God to be, an enslaver, whereas Jung writes of the need
to articulate the `Self` with the ego-consciounsess in a process he calls
individuation through self-actualization or conscious knowledge rather than that
ignorant unconscious thoughtless way of acting that characterizes much
untutored human behavior.
Bilbo encounters the
spiders in the forest of Mirkwood, and the elves of the forest of Lothlórien live
there as those selves of the spiders. As the `Lady of the Wood` of Lothlórien,
Galadriel, is more alluring, although the selves of the spiders of the forests
of Lord Of The Rings are all elves,
which means that the `golden children` are food or bait for food. The myth of
the elves is they`ll pass away, because the race of men will take their place
upon the Earth, and Tolkien depicts them as travelling in ships, because their
time has come to leave that place upon the Earth he calls `Middle Earth` where
the events of the stories occur. Because `futanarian` women with their own
penis` semen and capacity for sexual reproduction independent of their
`spidermen` are the `food` that can`t run away, the `futanarian` human species of
woman with her own penis` `seed` is in danger of being devoured if she can`t
develop beyond the spider`s maw.
Galadriel is the
female spider because the female gives birth and the male doesn`t, that is, the
male spider is a `big gob`, whereas the female spider gives birth and is a
`pen` that writes with the fruit of her womb as host to more than parasitism,
which is what the `big gobs` that devour civilization, culture and art in war
represent. In The Hobbit the scene
with the spiders in the woody clearing represents an attack upon the feminized
`pen` of the writer engaged in a struggle for creation with the evil old spirit
of illiterate `big gob`. The party`s cries of `Attacob!` indicate the threat
posed by the male spider, that is, the illiterate `big gob` attacking people
because of God, that is, the author`s ability to articulate life amongst those
who enjoy the living of it.
If Lothlórien`s elves
are Tolkien`s selves , and his concept of the spider is borrowed from Jungian
psychology, Shelob is symbolically Tolkien`s archetype of the `Terrible Mother`
and Galadriel is, in archetypal terms, his `Great Mother` and ideal woman, but
he doesn`t know what to do about men, so he has the elves, who`re the golden
children of his `Terrible Mother`, leave Earth, as God advises `woman`s seed`
of Eve she`ll `crush the head of the serpent with her foot as she leaves` (Gen:
3. 15). Bilbo is much enamoured of elves, as Jesus was of heaven and God,
because he was born uncontaminated by male semen from his mother, the Virgin
Mary, before his Ascension and hers, although the Assumption of the Virgin
Mary, that is, the assumption that women belong in heaven, wasn`t Catholic
doctrine until 1950. God told the first woman, Eve, her `seed` would have
`perpetual enmity` with the serpent`s seed`, who is represented by Smaug in The Hobbit, and the `red dragon` in the Bible, who waits in vain to devour Jesus,
in his `Second Coming` to oversee the punishment of the wicked, who he will:
`… rule … with an iron scepter and … dash them to pieces
like pottery.` (Rev: 2. 27)
Because Jesus` mother
is the Virgin Mary, he corresponds to Tolkien`s perception of his mother, that
is, she was a `Terrible Mother` for having a husband, as Mary had Joseph, who
Jesus rejected because he was `about his father`s business`, who was God and
not Joseph. Tolkien`s depiction of the elves of Lothlórien leaving Earth is
equivalent to Jesus` description of the Resurrection in which women
uncontaminated by male semen, because they have their own penis` semen as
`futanarian` women, killed by men so they can`t sexually reproduce their own
brains` power for technological development and escape enslavement of the host
wombs of their species, have the `new heaven and Earth` promised by God to
Eve`s `seed`:
`At the resurrection people will neither marry nor be given
in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
Just as Tolkien
doesn`t know what to do about men, so Jesus envisions a heaven in which his
mother, the Virgin Mary, and indeed all other women, are sexually reproductive
and independent of men, who represent the spiders who are the illiterate `big
gobs` in Tolkien`s wood, before the golden children appear as their truer
selves in Lothlórien. Although the truer selves are closer to the heaven
envisaged by Jesus, they`re still not true enough to the plan of God for
`woman`s seed`, which excludes male semen because brain damage is men`s rule,
within a too small gene pool of humans, in which the `futanarian` human woman
with her own penis` semen has been killed and awaits Resurrection and redress
from God`s law.
The human brains are
women`s because two women sexually reproducing together are 100% humanity,
while men can`t sexually reproduce without her, and so are the 0% `big gobs`
amongst the humans if women are present. The absence of `futanarian` woman with
her own penis` `seed`, for her own host wombs, suggests men have killed her
before and that`s the `original sin` since Adam and Eve`s expulsion from Eden
for accepting the serpent`s power of death by eating the `fruit of the tree of
the knowledge of good and evil`, which is enslavement of women`s host wombs by
men as her parasites. Mankind must repent if they`re to be born in heaven from
the host wombs of women by their own `woman`s seed` from woman`s own penis`
semen. If they don`t want her, perdition, that is, eternal unendurable pain, is
God`s punishment.
In the Bible God killed Onan for masturbating,
because he didn`t want Tamar, which is God`s simple answer to a man who doesn`t
want a woman. Satan, the serpent, who is the `red dragon` full grown, refuses
to bow to Adam in heaven when he`s an angel, and that`s why he`s expelled from
there by God, because Eve`s `seed` is to be among the heavenly angelic host
wombs of God and Satan is unable to realize that, if he doesn`t want Adam, he
can`t have her. The irony is he doesn`t have to have Adam, because Eve`s `seed`
and host wombs are entirely woman`s but, as the `serpent` in Eden, Satan tempts
Adam to repress Eve for getting the pair expelled from paradise, and so her
`futanarian` human `seed` of woman with her own penis` semen, as the true
progenitors of her species upon the planet Earth, that is, because men can`t
sexually reproduce alone, became marginalized and almost extinguished as the
true race.
God had given the
`fruit of the tree of life`, which was immortality, to Adam and Eve, but they
succumbed to the serpent`s temptation. Afterwards, technological advancements
in medicine would be the measure of progress towards immortal youthfulness,
which is why God tells Adam, `You will earn your bread by the sweat of your
brow,` that is, Adam must work for immortality and Redemption, which is what
Jesus` teachings of forgiveness, and love for one`s neighbor, rather than war,
signifiy. Amidst conflict it`s difficult to progress technologically, other
than in warfare, which is what the 20th century revealed. Jesus is the `Logos`, that is, the `Word of
God`, because technology, as the developed `Logos`, is the solution to
mankind`s ills, but first conflict must be resolved, and so Jesus` teachings
are `forgiveness` for one another as neighbours. Freedom for the host wombs of
the human species will result from technological progress facilitating the
leaving of Earth by `futanarian` women with their own penis` semen, as Eve`s
`seed` escaping in starships of her own brains` devising, with her race`s
capacity for sexually reproducing her own human intellectual capacities revived
during the Resurrection.
Though literate J. R.
R. Tolkien was another `big gob` spreading lies about the true nature of women`s
`pens`, that is, God`s `futanarian` human species with her own penis` seed`.
The `big gob` of the male spider isn`t the natural sexual complement to the
female, who as `futanarian` human women with their own penis` `seed`, are bound
for heaven and God, where men can`t go if they reject the host wombs of women
in preference for enslaving her in more lies and fictions masquerading as truth
told by illiterate `big gobs` who wants to devour `woman`s seed` in wars, like
flies to be eaten in `webs of deceit` occluding her from knowledge and wisdom
due to her by her human right to teach and spread the `Word of God` by word of
mouth between themselves.
Living as ephemeral
flies trapped in amber, like the fossilized remains of a prehistoric species
once destined to rule over the Earth, women with their own host wombs and
penis` semen as `futanarian` humans have lost their memory and brains`
capacity, without sexual reproduction between themselves, to have anything
other than coitus with illiterate `big gobs` intent on inflicting more brain
damage on her shrinking gene pool. Having inveigled its way into the host womb
of the human species millennia ago, while women struggle like flies caught in
the web of the alien`s lies, the parasite refuses to let go, and it has
developed an elaborate fiction of the species of `futanarian` woman with her
own penis` semen and capacity for sexually reproducing her own intellectual
power for socio-economic independence. In addition to the parasitical activity
of the male `big gobs`, women are `food` for the eaters of her human brains.
The `futanarian`
human race of woman has been devoured by the `spidermen` as `food`, so her host
womb can be used to further its enslavement of her in parasitism and extinction
in its wars against her human species. Without her other `futanarian` foot,
woman can`t walk, because she`s being bred by a spider to be too brain damaged
to develop the technology for her to be able to run and escape from the
illiterate `big gobs`. Without sexually reproducing with her own penis` semen,
she`ll have only the brains that the spider can give her from its penis` `seed`
and so will never be able to develop beyond being the mother to a human species
bred for men`s wars in devourment of the products of her host womb
enslaved to illiterate `big gobs`.
The most modern types
of warfare depict paratroopers, which are effectively spiders descending on
parachutes to deploy, as invaders against human hosts uninvited, which is what
Jesus warned against at the `Last Supper`, as the human host offering `bread
and wine`, as symbols of his `body and blood`, which the disciple, Judas
Iscariot, betrayed, because he preferred the Roman legions of spiders to be
airborne in the future and deployed against the `futanarian` women`s
civilization, culture and art, which he didn`t want to be born, despite Jesus`
birth from the Virgin Mary uncontaminated by male semen as a sign that the
future would be `woman`s seed` and not spidermen`s.
One of the most
popular movies of the 20th century was the adaptation of the United
States of America`s science fiction
writer, Robert A. Heinlein`s (1907-88) novel,
Starship Troopers (1959), in
which `mothers` dropped `boys` from starships, as paratroopers are delivered by
aircraft, to fight against giant arachnids on `bug` worlds. Like Tolkien, Heinlein
was another feminized `pen` of the creator trying to understand why women were
always written into the script as producers of `cannon fodder` for the spiders
to eat. The Hollywood `blockbuster` movie version, Starship Troopers (1997) was seen as an instruction book for the
illiterate bullying `big gobs` of the generation that saw themselves as
unassailably heroic after America`s Gulf wars against Saddam Hussein`s Iraq.
In Tolkien`s The Lord Of The Rings, Sauron and
Aragorn are depicted as being on the side of evil and good respectively, but
the truth is simpler. Tolkien is a `big gob` writing wars for criminals to
participate in. At the dawn of the 21st century, Al Qaeda terrorists
attacked the Two Towers of the World Trade Centre after hijacking planes at
Boston`s Logan airport, which conflated Tolkien`s Two Towers novel with Logan`s
Run (1976), the science fiction movie in which everyone was killed when
they reached 21, because there weren`t sufficient economic resources in the
fictional society to support an ageing population.
Ancient Greece was
the model for institutionalized enslavement of women`s host wombs in homosexual
pederasty and warfare, which is the devouring of peoples in war. Without
medical progress, women won`t live old enough to have knowledge of their own
species` wisdom and so HIV/AIDS, the `Greek` contagion spread as the `biological
weapon` of pederasty`s `killer disease`, is an aspect of that `rough trade` of
homosexual pederasty`s `brutality and violence` which Al Qaeda`s attack upon
the World Trade Centre of New York, on September 11, 2001, was designed to
precipitate on a global scale. Keeping women`s host wombs in fearful
faithfulness to monogamy`s enslavement of her `means of production` is an
aspect of the `biological warfare` of illiterate `big gob` the spider and so HIV/AIDS
remains incurable, because the spider doesn`t want women to be older than 21.
It isn`t that it doesn`t want her to be immortally youthful, thanks to medical
science, but it doesn`t want her to know her `futanarian` race of humanity is `spider
food`.
In Logan`s Run the economic hypothesis is that
humans must die before reaching 21 years of age, but that wasn`t true at the
beginning of the 21st century, when Al Qaeda terrorists precipitated
the second Gulf war (2001-11) with Al Qaeda`s supporter in the Middle East,
dictator Saddam Hussein of Iraq, who`d been kicked out of Kuwait in the first
Gulf war (1990-1), after invading his neighbor with his army. Al Qaeda`s attack
upon the Two Towers of New York was an attempt to reestablish global `rough
trade`, that is, the `brutality and violence` of homosexual pederasty, and
maintain its contagious `killer disease` of HIV/AIDS as its coercive power over
women in misogyny, whereas it is written in the Bible that God sent the `blood plague` to convert men from their
sin of enslaving women`s host wombs in homosexual pederasty and war:
`Men cursed the God of heaven for their pains and their
sores but refused to repent of what they had done.` (Rev: 16. 11)
Al Qaeda`s attack
upon the Two Towers was an attempt to end the possibility of human growth and
development at the outset of the 21st century. Much as the people of
Logan`s Run had to die after they
reached the age of 21. Women`s sexual reproduction with each other as
`futanarian` humans, with their own penis` semen, necessarily results in the
creation of women with their own brains` power and capacity for independent
socio-economic and political endeavor, so two women of voting age are 100%
human while two men are unable to sexually reproduce together, which means
women over 21 know too much for men if they know women are humans while men
aren`t and so democratically constitute 0% of humanity. Men don`t want women to
reach maturity and stay there long enough for them to remember their own
`futanarian` human species with her own penis` semen, so men engineer wars to
divert resources away from medicine that would prolong the lives of women, for
example, and cure the bane of their existence, that is, the `killer disease` of
HIV/AIDS, which keeps them in host womb slavery to misogyny`s parasitical
hatred of women`s species with their own `futanarian` penis` seed`, and is what
Al Qaeda was doing when they attacked the Two Towers.
The Two Towers was the film written by the feminized
`pen` that was J. R. R. Tolkien writing in the `spirit of God`. The female
spider, Shelob, as the `Terrible Mother`, and Galadriel, as the `Great Mother`,
represent men`s desire to imprison a
woman in a dungeon and prevent her from being born and escaping. Although
Galadriel and the elves leave `Middle Earth`, the `Terrible Mother`, Shelob,
remains in her lair, because men can`t let the woman go in faith that they`ll
be with her in heaven as she births them there from her own host wombs as the
`futanarian` human species with her own penis` semen to fertilize her own ova
and produce her own brains` power.
Al Qaeda wasn`t
Tolkien`s Two Towers because he was a
feminized `pen` and not a `big gob` of a devouring male spider, which was what
Osama Ben Ladan the terrorist leader was. He organized the attack on the Twin Towers
of the World Trade Centre on New York`s Manhattan island, which determined the
21st century as yet another period of men`s warfare and resources
channeled into human extinction rather than medical science and technologies
that would make life longer and nicer to look at:
`Mystery, Babylon the great, mother of harlots and of the
abominations of the Earth.` (Rev: 17.
5)
The `Terrible Mother`
is an archetype of Jungian psychology where archetypes are the contents of the
collective unconscious appearing in dreams, imagination and art as the impulse
engines of the human odyssey to the planets and stars of God`s heaven. Babylon
is a `Terrible Mother`, because she`s a woman whose host womb is enslaved by
homosexual pederasty for the devourment of its product of civilization, culture
and art through warfare, and the paratroopers of the 20th century
are the spiders on their parachutes that represent her terribleness. The `Great
Mother` is the woman who is wise and knowledgeable in Jungian psychology`s
conceptions with regard to developmental archetypes, which Galadriel represents
in Tolkien, because she is the mother of a fairer race of folk closer to
Bilbo`s - and nephew Frodo`s - ideas of heaven, but the `Great Mother` is more
properly represented as the `futanarian` woman with her own host womb and
penis` semen for her own angelic host in
heaven while fictional taboos and restrictions prevent the socio-economic and
political illiteracy of the `big gobs` from being replaced by the `Word of God`
from the `pens` of the mothers.
In Japanese mythology
the giant spider, Tsuchigumo,3 appears as a young boy but is revealed to be what
he is, which is what Frodo represents in Tolkien`s Lord Of The Rings, because in terms of the story`s contrapuntal
theme, he`s Sauron, the `big gob` who seeks to bring him to Mordor so he can
have the ring and so devour the world and be older with the world no wiser. The
prototype in English fiction is Fagin from Charles Dickens` Oliver Twist (1838) who employs young
boys to thieve and he receives what they steal. The `thief` label is Bilbo`s in
The Hobbit and Frodo, his nephew and
heir, receives the ring from Bilbo and the title `ringbearer` from the elves.
The ring that was found that was Sauron`s had cut it from the finger of the
legendary elven lord, Elendil, after a battle, so Sauron is the thief. The magical
ring actually belongs to Aragorn, one of Frodo`s companions on the journey to
the destruction of the ring in Mt Doom. Although he`s the rightful heir to the
ring as Elendil`s descendant and last king of the West, Aragorn doesn`t want to
be a `big gob`, like Sauron, and devour the world. He supports Frodo as the
`ringbearer` of the elven woman, Galadriel, on his way to destroy the evil
power to enslave the Earth by hurling it atop Mt Doom into the volcano`s mouth.
The idea of the
`spider`, as a symbol of the `Self`, derives from the psychology of Carl Jung,
and the spider is symbolic because the ego exists at the centre of a `network`
or `web` of interrelations between itself and dreams, imagination and art from
which arise the developmental archetypes that ultimately gave birth in the
minds of the inventive to the world wide web or internet as a public
information system for people interested in developing themselves. The `world
web` represents the greater `Self` of the human species as the repository of
the collective endeavours of humanity over the eons, because it`s where
knowledge of the collective efforts of the race can be accessed. Jung writes of
the archetypes of the collective unconscious, which are the collective impulses
of humankind towards progress and development.
The spider and the `world
wide web` are an archetypal configuration arising from the collective
unconscious, because humankind needs individuals to become conscious and
self-actualized through learning what is stored upon the internet that contains
as much of the race`s memory as is commensurate with the level of achieved
technology. Consequently, the spider`s web is an archetypal image arising from
the unconscious, because there`s something that humankind needs to have. The `seed`
of woman`s `futanarian` human species with her own penis` semen represents 100%
human brainpower, because her host womb is human, so the web may have been
brought into existence to remind humanity that men can`t sexually reproduce
together. Taboos against representations of human sexuality are taboo in many
societies. Perhaps because men, as the enslavers of women`s host womb to
produce boys to be consumed in warfare, don`t want women to be able to sexually
reproduce with each other as `futanarian` humans with their own penis` semen so
that an intelligent human race will become socio-economically independent of
its enslavers and devourers:
`… man journeys into the sky and meets another ally, Spider
Woman. It is she who makes human arteries, and is thus considered to be a
medicine woman.` 2
The image of Spiderman (2002) is familiar to most
people of the 20th century and beyond from the Marvel superhero
universe and the Hollywood movies based upon the comic strip character, who is
able to project spider`s web from his hands to catch criminals and climb
buildings, for example, but the image of a spiderwoman is more difficult to
discover in popular culture, although she appears in the Navaho myth of the
North American Indian as an expert in human blood probably because the pure
human woman isn`t contaminated by male semen, as Jesus Christ wasn`t, because
HIV/AIDS is the `killer disease` of homosexual pederasty`s `biological wars`
against humanity.
Although J. R. R. Tolkien`s
Shelob is a negative figure in fiction, Galadriel as a spider born figure in
Tolkien`s Lord Of The Rings isn`t so
well drawn as to be obvious, but the extrapolation from `Attacob!` in The Hobbit chapter, `Flies And Spiders`,
where the male spiders attack Bilbo and his fellow travelers in a woody place,
before they arrive in Lothlórien to be greeted by the `Lady of the Golden
Wood`, suggests that Tolkien was making an analogy between `big gobs`, that is,
men as the illiterate enslavers and devourers of women`s host wombs for
warfare, and his own feminized `pen` as the archetype of his `Self`, which
conceived of the female as a better writer, and more important to be written
about, but he was trapped in the collective shadow
of his fathers and so couldn`t write other than they had. The soul is female in
Jungian psychology and he calls it the anima,
which is the mediator of the subconscious and unconscious aspects of the
archetypal `Self` and its aim of making the individual conscious and aware.
Because women are `futanarian` with their own penis` semen, the anima and `Self` of Tolkien`s `pen` is
actualized in the negative or shadow-contaminated
figures of Shelob and the anima-figure
Galadriel, because the spider represents the ego and the web and the writer`s
elf is the pen`s `Self`, that is, she`s the woman Tolkien could be if he was a
child of her host womb and her golden children were the `futanarian` species of
women with their own penis` `seed`.
Towards the close of The
Lord Of The Rings, Frodo returns home to Hobbiton, where the depredations
of men Tolkien generically calls `ruffians` have been occurring in the heroes`
absence, but Frodo has been given seed by Galadriel which is elven magic and
the damage done to the town by men`s false socio-economy that prefers
coarseness and vulgarity to delicacy amid converse is quickly repaired despite
resistance from smaller `gobs`, that is, the `squint-eyed brutes` at the Battle
Of Bywater, the last in the `War Of The Ring` in which 19 hobbits die. Galadriel`s
is `woman`s seed`, because `futanarian` woman with her own penis` `seed` is the
solution to the small gene pool and the brain damage women live with as so few
of her human brains are sexually reproduced by her own penis` semen. Tolkien`s
perception is that the female is the creatrix, because she`s the host womb and,
although the creator is God, males of every species are supernumerary if the
female has her own penis` `seed`, which means Shelob and Galadriel are truly
related because they`re female. In terms
of Tolkien`s contrapuntal thematic structure, Galadriel is Shelob`s `golden
child`, while the male characters in The
Lord Of The Rings are their imagination. Tolkien`s hypothesis seems to have
been that men were women`s imaginary characters born from their host wombs to
be written as protagonists in some great fiction, and there`s nothing in
biology to indicate he was erring in his analysis.
Dresses of the
mid-to-late nineteenth century incorporated a bustle which made the woman`s derrière unduly bulky, but reminiscent
of the back part of an arachnid, because the spider archetype was already
manifesting itself at that period in socio-history, which would eventually
result in the creation of the world wide web from out of the collective unconscious.
In Greek mythology the figure of the goddess, Pallas Athene, is usually
depicted wearing a helmet above her brow, which looks as if she has two pairs
of eyes. According to myth the goddess was a legendary weaver who had a rival
in Arachne who wove scenes of the father god Zeus` infidelities and was
transformed into a spider by Athene in an early instance of internet censorship
for pornographic representations. Athene`s own weaving was about usefulness.
She became goddess of Athens after giving the Athenians an olive tree, which
was the subject of her woven tapestry, but Arachne represents the nascent
psychological value of an interest in sex because women are `futanarian` with
their own penis` `seed` and capacity for sexually reproducing their own brains`
power, which is why statues of the goddess Athene seem to have eyes above and
eyes below.
Arachne represents
the goddess Pallas Athene`s unconscious `Self` becoming archetypally conscious
in the 20th century as the world wide web, so her new eyes aren`t
yet visible but indicated by the eyes of the helmet raised above Pallas` brow.
The other famous attribute of Pallas Athene is the head of a medusa on her
shield, which turns enemies to stone, because spider`s paralyse, as do
serpents, and medusa`s hair is comprised of serpents. Pallas Athene, as the war
goddess of Athens, represents that aspect of human nature which doesn`t want
development, but the true battle is for the development of women`s brains and
`Self`, which is why Arachne`s weavership is transcendentally important for the
`futanarian` future of woman`s human race and so Arachne symbolizes the
unconscious `Self` of woman represented by Pallas Athene who is a traditional
warrior goddess supportive of her city, Athens, unreflectingly:
` Another Hopi myth [ of] … insectlike beings ... [with] Spider
Woman to lead them …, turned into people.`4
Unreflective belief
in men isn`t supportive of development, because the female is the womb of
creation and the `futanarian` human species of woman has her own penis` `seed`
as well as her own host womb, so Spider Woman can lead rather than be led by
unbelief, which is what belief in men is: unbelieveable because men aren`t her
species and so don`t actually prioritize her welfare. The horse was the symbol
of both Pallas Athene and the city of Troy, to where the ancient Greeks
deployed to restore the wife of Meneleaus, brother of the king of Sparta,
Agamemnon, who had been abducted by Prince Paris, son of king Priam of Troy.
After a long siege the Greeks pretended to go home in their ships and left a
huge hollow wooden horse inside which they hid and emerged to capture the city
of Troy and enslave the host wombs of the Trojan women in institutionalized
Greek homosexuality and pederasty in order to spread their contagion of war
further. By the late 20th century the HIV/AIDS virus had emerged as
the `Greek` plague functioning as a `biological weapon` keeping women in
fearful faithfulness to men`s ownership of their host wombs in monogamous
misogyny, which prejudiced against women`s being able to sexually reproduce
their own brains` powers through `futanarian` women`s penis` `seed`.
Al Qaeda`s attack on
the Two Towers was a typical `Trojan horse` whereby the virus was able to
collapse the human system by spreading a contagion by means of one simple act
of invasiveness. From the perspective of
Tolkien`s Two Towers, Frodo`s defeat
of Shelob in her underground lair results in the collapse of the Dark Lord`s
Tower of Barad-dûr in Mordor. Shelob represents women`s darkness but, although
she`s a `pen`, she`s not responsible for the plot, while women who need brains
to save the Earth from men`s wars are responsible for the unfolding story if
they know that sexually reproducing as human women with their own penis` semen
is the politics of truth rather than political correctness.
In terms of political
truth, politically correct feminism engenders clinically diagnosable schizophrenia,
insofar as young women are taught they`re lesbians if preferring women, whereas
the `futanarian` species of woman with her own penis` `seed` is human and for
herself alone. The `Greek` model of institutionalized slavery of women`s host
wombs in homosexual pederasty and war is indirectly espoused in feminism,
because `lesbians` are defined as homosexual
and equal to `gays`, whereas men can`t sexual reproduce together and are blamed
for the incurable `killer disease` of the late 20th century,
HIV/AIDS. Feminism`s defining of normal `lesbian` women as homosexual, when
human `futanarian` women with their own penis` semen are definable as `most normal,` as Helen of
Troy was `most beautiful`, and is why Paris wanted her, which precipitated the
Greeks` spreading of their contagion of war and pederasty, is offensive to
intelligent women who know their own species.
Whether mid-to-late
nineteenth century women wore a bustle to be spiderly attractive is moot. If
men`s primeval nature is arachnoid, rather than simian, as Sir Charles Darwin`s
On The Origin Of Species (1859)
argues, but it would explain the bustle. If women are `futanarian` with their
own penis` semen, it`s a moot debate whether men are arachnoid or simian.
Proven to be devourers of the human race of `futanarian` woman, it`s immaterial
as to whether men are dragons, which is how Satan is depicted in the Bible, while waiting in vain to devour
Jesus in his `Second Coming` to oversee the apocalyptic Revelation of God`s sublime mercy and punishment, or that men
appear as `big gob` spiders catching blind human ephemeral flies in mafia-like
murderous world wide webs of illiteracy and deceitful censorship and occlusion
that prevents `killer diseases` like HIV/AIDS from being cured to prevent human
knowledge and wisdom from being disseminated from the ancient to the learner by
means of adequate technology and appropriate visionary material.
Jesus` teachings
provided the textual material for understanding the process of metanoia and Redemption. The spider
appears in both the holy book of the Koran
that was dictated to the Prophet Mohammed (610-30 C.E.) by the angels upon
which the Moslem faith of Islam is based and in the Bible in the Old Testament
story of David. Both stories are about spiders helping fugitives and echo the
story of Robert Bruce, the first king of Scotland who, observing a spider while
sheltering in a cave, learned the perseverance required to win the Scottish
throne away from English rule. In `The Cave` sura, that is, chapter 18, of the Koran, anti-Moslem persecutors leave
Mohammed unmolested: ` They thought no one could have entered the cave because
the spider's web had not been broken.` In the Targum, which is an explication
by Jewish rabbis of the Bible, the future
king of Israel is pursued:
` … a spider
spun its web over the door part of the cave where David was concealed. Seeing
the spider web king Saul did not enter the cave because he thought that David
could not have entered it without breaking the spider's web. Thus David was
saved.` (Ps: 57. 2)
In both instances the commentator misses the
point, because the spider is constructing a trap. In the New Testament story of Jesus, Christ has Resurrection and Ascension
to heaven after a stone is mysteriously rolled away from the cave where his
body has lain after his execution as a `dissident` by the local representative
of the Roman Empire. The stone is equivalent to the spider`s web that
ostensibly conceals Mohammed and David from their pursuers, which means Jesus
Christ`s place of rest is that of a `trapdoor` spider, just as Bilbo and his
friends in their holes in Hobbiton with the round doors are further
representation of Tolkien`s spiderfolk, that is, characters created by the
`pen` for the `big gob` who is her devouring male. Jesus` teachings can be
understood as an appeal to humans not to be eaten as the spider wants, because
those who espouse evil will have the perdition of eternal unendurable pain as
God`s punishment for wanting what it is that spiders do, which is trap people
like flies and eat them.
One of the more curious Christian
iconographical representations of the crucifixion is of a spider in the place
of Christ crucified. According to Jungian psychology the spider and Jesus are
both symbols of the `Self`, so Christ appears on the cross of his torture and
murder as a spider in some archetypal Christian iconography. The idea of Jesus Christ, as a spider at the
centre of a Christian web, is ugly but truthful, that is, the spider is a
symbol of Christian networking, which was essential at the time of the founding
of the church and is manifested in the modern age as the world wide web or
internet disseminating truth for the ego to develop and grow.
The movie The
Fly (1958) is a typical male construct in which the `hero` is a scientist
working on a matter transporter called the integrator-disintegrator and he
becomes trapped inside the chamber with a fly. The result is Andre and the fly
are combined so the fly has his head and his body has the head of the fly. It`s
a stereotypical 1950s alien invasion movie scenario because men`s devouring
nature is that of the spider rather than the fly.
In the psychology of Carl Jung (1875-1961) shadow-integration is the essence of the
individuation process whereby the inferior nature of a person is projected from
that person`s ego so that the other individual is perceived as inferior. The
integrator-disintegrator machine is psychologically a shadow-integrator, but the consequence of the fly trapped in the
chamber with the hero is personality disintegration, which is what happens if
the shadow-personality continues to
be projected as the individual is unable to become aware of the process whereby
conflict occurs due to his being unable to perceive that the other person isn`t
inferior.
In reality inferiority is what are termed evil
people because they`re no good, which is why morality exists; to give people
guidance so that they can recognize dangerous people and avoid them, which is what
it is to have an integrated shadow. The
individual character is `split` in The
Fly because it`s an evil film in which a man is depicted as a fly rather
than a spider, which is their actual nature according to the socio-historical
evidence of their wars. The counterpart of The
Fly is Psycho (1960) in which a
woman, Marion Crane, probably named for
the ephemera, the crane fly, which
lives but briefly, is murdered in the shower by the owner of the Bates Motel,
Norman, because the shower curtain is flimsy and transparent and it arouses the
desire to kill in the `spider` man, rather than sexual arousal, which is what a
normal `futanarian` woman with her own penis` `semen` would experience. The Fly
ends as a brown spider advances towards the body of the fly, while the head of
the man attached to it screams:
`Help me! Help me!`
A man crushes both with a rock, but doesn`t
consider whether the spider is female, and it`s not supposed to be important
because the audience is expected to care about the man because he`s a fly,
while the woman in Psycho is
similarly a metaphor for the integrator-disintegrator but her shower chamber is
so flimsy that Norman `the spider` Bates is able to kill her. The human
believes in shadow-integration rather
than disintegration, because she`s the individual who wants to live. The spider
moving towards the man as the fly in the web is what women should do to defend
their own species, which is why the man kills the spider. The woman in the
shower scene in Psycho isn`t
sufficiently shadow-integrated to
recognize that spidermen are dangerous killlers of her species to avoid being
murdered. If The Fly had been about a woman, the metaphor would have been
instantly recognizable, but it`s about a man, Andre, because men want to be
pitied for being the killers of the human race, However, according to God`s Bible, there`s no marvelous escape from
Spiderwoman planned. Marion in Psycho
should be pitied, but 21st century movies like Scream (1996), in which the `action` is of women being murdered, has
encouraged women to see themselves in the role of the killed, because men
aren`t her victims: she`s theirs. The crushing of the small creature by the
large alien with a rock in The Fly is
what thermoglobal nuclear holocaust is, which is what men do. Humans seem
insignificant, the smaller they are perceived to be by the shadow-projector, that is, women as the human species are
endangered, because the alien is able to kill them at a distance and is evil as
it`s taught everyone that what is small is of no importance and people in other
countries look so small they can`t even be discerned:
`Keep your friends
close and your enemies closer.`5
It`s hard for women to recognize an enemy from
a friend when they live so close together, which is why wars are possible. Sun
Tzu`s teaching is false, because he was a man. The secret is to keep your friends
close and to keep your enemies as far away as possible so you can crush them
like bugs, but it`s difficult to do because women are the humans and their
enemies are keeping them close. Women in other nations are too far away from
their enemies to be discernably human by those who`re given orders to attack
their countries, which is why the Gulf wars were heavily criticized by media
watchdogs for becoming `TV wars` between media rivals to provide entertainment
to the public of a type more or less identical to `PC gaming` in which the
theme of killing the small and helpless is basic to the new culture of the
psychopath, killing undiscernible and insignificant women as the `hero` of
computer games widely available to children and, unsurprisingly, adults who
ought to be taught human behavior, which is what Jesus` teachings of
forgiveness and Redemption are designed to do:
`Know your enemy.`6
Jung believed that Jesus was one of a few
individuals to have achieved self-actualization, which is conscious awareness
of the totality of the `Self`, and the image of the spider crucified on the
cross is a metaphor for men`s hatred of the archetype of God. Jung associates God
with the archetypal products of the individuating `Self` confined to a limited
ego bound perception, rather than an extended knowledge and wiser awareness,
based on tutored understanding and learned interaction with like minds. As
Jesus represents the totality of human awareness, because he was a
self-actualized individual, the notion of him as a spider at the centre of a
web of interconnectivity and wisdom is understandable as it`s an internet
archetype for those not self-aware but want to be as wise as Christ was. Jesus`
emergence from the spider`s hole after his death upon the cross of his
crucifixion and entombment represents the justification of a faithful belief
that the human species won`t be devoured because God won`t allow it.
In the subcontinent
of India, Kali is the many armed mother goddess of the Hindu religion described
as the giver of life but also its destroyer, because women who are forced to
bear the children of the `serpent`s seed`, as Babylon mother of `abominations`
is, are slaves without the power to destroy what they bear unwillingly, whereas
Kali doesn`t have to have women bear what isn`t to be borne, because she can
sexually reproduce her own species` brains with her own penis` `seed` for
socio-economic and technological progress independent from men`s enslaving of
her host wombs as the parasitical devourers of the civilization, culture and
art she`s able to bear, despite the depredations of her destroyers in their `perpetual
enmity` for her `seed` that God warned Eve they bore towards her.
Although Islamic Pakistan is represented as
the antithesis of Hinduism, Moslem marriages are similarly archetypal because
four wives are permissible in Islamic culture, which means many armed families
of women. Men`s arms were in view during the Gulf wars as the homosexual giant
of pederasty sent its `boys` to face each other in tanks with a large protuberance
on the front as a `display`. In husbandry the female is described as
`presenting` when she`s ready to copulate and indicates it, so in homosexual
terms the tank battlefields of the Gulf wars represent a homosexual giant
`presenting` and the proboscis like protrusions of its turret guns were its
`display` prior to hostilities. Hinduism represents the archetypal language
required to comprehend such activities, because its mythic symbolism is
seemingly a grotesque series of incomprehensible transmogrifications that
actually make perfect sense. Kali has many arms, because women are many armed
humanity, with its own host womb and penis` `seed`, whereas men have many arms,
because they`re a many armed demon. Kali is depicted as a destroyer, because
she doesn`t like demons, although Christianity describes her as a demon because
she`s a powerful female archetype that wouldn`t want women to be enslaved for
warfare. What she would want is a many armed woman as the human species capable
of defending herself from demons with many arms and so she`s depicted as having
many arms for the defense of her home but not for invading other houses, which
is what the many armed demon, Saddam Hussein, and his Iraq army did to Kuwait
in the first Gulf war (1990-1) and resulted in President George W. Bush in the
United States of America sending his demon with many arms to fight Saddam`s and
throw it out of Kuwait.
In the Hindu
pantheon there are many gods but they read as a description of reality if
humans are aware that women have penis` `seed` of their own. Shiva, `the
transformer`, is her consort and is called the `eternal time` because he`s to
be human, although because he`s male he`s `the destroyer` too, whereas Kali is
`time and change` worshipped as `ultimate reality` and `redeemer of the
universe` because the `lingam` or penis and `yoni` or vagina of the woman is
redeemed in the single biunity of the human family of `futanarian` woman with
her own penis` `seed` and capability to produce her own brains` power. The
third major aspect of God in the Hindu pantheon of deities is Vishnu, `the
preserver`, who has blue skin and can appear as all women upon the Earth,
because that symbolizes men`s racism towards the human species of woman, kept
in subjection and slavery to an alien that divides peoples by colour in order
to provoke conflict and kill her by proxy. All cultures, civilizations
and art can be explained in the same way; an excuse for men`s waging war
against what women have produced that is different to what men are: killlers.
Vishnu`s ability to transform from god to ubiquitous woman is simply a
different description of Jesus` `futanarian` heaven of woman with her own
penis` `seed` independent of men and is what God in Christianity has planned
for the future of humanity, blue skinned or elsewise.
1 `Planet Of The Spiders`, fifth serial of Doctor Who, series 11, BBC TV, May 4 - June 8, 1974.
2 Wyman, Leland C. The
Windways of the Navaho, 1962, pp, 33-34.
5 Sun Tzu The Art Of
War, 540-496 BC.
6 Ibid.