Break A Leg
In the period of drama known as Elizabethan because of the
reign of the English queen, Elizabeth I, William Shakespeare`s (1564-1616) plays
were performed at the Globe Theatre in London by all male casts, which is
something most critics ignore when discussing the work of the dramatist. Many
traditions of the English `live` theatre derive from Shakespeare, the most
famous being `the Scottish play` as a means of avoiding saying, `Macbeth`,
because it`s deemed unlucky to mention the play by name, that is, Macbeth (c. 1606), which describes the deposing of a monarch, and so the
distinction between a Scottish and English king is made.
According to
traditionalists the folding of the knee behind a person when curstsying or
bowing, which was in vogue during the Elizabethan period when accepting
plaudits after a stage performance, is responsible for the idiom `break a leg`
spoken to those who are about to engage in some activity before an audience. In
Hollywood movies gladiators are sometimes seen bowing or curtseying in the same
way, as in the Russell Crowe movie Gladiator
(2000), set in 180 AD, where the Australian actor has the role of the gladiator,
Maximus, who`s the enemy of the Roman Emperor, Commodus. The idiom `break a
leg` actually refers to homosexuality and pederasty`s enslaving of women for
the purpose of slavery and warfare between boys and fathers.
In the Bible God
tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`,
because Eve`s daughters will have `seed` of her own, that is, penis` semen, and
`futanarian` women with their own penis` `seed` for the sexual reproduction of
her own human brains` power are what God tells Eve will come from her host womb
but that men will have enmity towards them in slavery, war and death, although
she will:
`… crush the head of the serpent with her foot as she
leaves.` (Gen: 3. 15)
Eve`s ` foot` is the
`futanarian` aspect of her separate human socio-economy and independence for
the growth of technological development to liberate her body from men`s
enslaving of her host wombs in men`s homosexual pederasty and war`s `perpetual
enmity` for each other and her as the alien parasites that have somehow
inveigled themselves into a devourer`s relation with her over the eons of their
extermination of her `foot` which can`t assist her to rise from her broken
legged position beneath the yoke of the oppressor. Shakespeare`s Elizabethan
dramas were performed only by men in front of a woman, Elizabeth I, as an
insult to a `virgin queen` who wasn`t to know.
The `Scottish play`, MacBeth , is about the deposing of a
king by a vassal, which is what men do, and so the tradition is to refrain from
mentioning it, because it`s `unlucky` for the powerless after a coup. In the
United Kingdom Prince Andrew didn`t marry Koo Stark, although he wanted to, but
married Sarah Ferguson instead, because
to have wed Koo would have been an invitation to suggest a coup, which is a
military takeover by an army leader, and the English wouldn`t have wanted that.
The term `coup` also refers to a performer`s success, which requires the actor
to `break a leg`, that is, accepts the plaudits from the audience in bowing or
curtsying, and Koo Stark would have been a successful actress if she`d married the Duke of York.
Although England has
never officially experienced a coup
d`etat, that is, a military takeover, the history of the Soviet Union tells
us that the public would never know because revisionist historians lie. If
Prince Andrew had married Koo Stark it would have been a theatrical ` coup`,
that is, the actress would have been a `theatre` success after her movie, The Awakening Of Emily (1976), which was
a sex film that brought her to the notice of the Prince. History tells us Koo wasn`t
married to the English newspapers` `Randy Andy`, while `to marry` in Shakespeare
means `to know`. Koo`s failure is a mnemonic for those who know of the much
mooted coup d`etat during the period
when the UK was governed by the Labour Party of James Callaghan (1976-9) and some
British generals were reported as being willing to swear allegiance to Elizabeth,
the mother of queen Elizabeth II, as they`d done with her husband, George VI,
at the onset of World War Two (1939-45). In Shakespeare the idiom `break a leg`
actually refers to Queen Elizabeth`s leg, that is, an actors` coup, because her
leg is `broken` if she curtseys in approval.
New York`s American actress, Koo Stark, is a mnemonic for
the first (1990-91) and second Gulf war (2001-11) to remove Saddam Hussein from
Kuwait, that is, Koo`s still waiting for `Randy Andy`. The killing of Osama Ben
Ladan on May 2, 2011, by US `special forces`, while the terrorist leader was
sheltering in the shadow of Pakistan`s Military Academy, signaled the end of
the war to depose Saddam in Baghdad, where he`d been the dictator during Iraq s
invasion of Kuwait and supportive of the Al Qaeda terrorists` destruction of the
Twin Towers of Koo`s New York when they`d hijacked planes and crashed them into
the World Trade Centre on September 11, 2001.
Prince Andrew was a
British soldier during the Falklands war (2 April - 14 June 1982) to depose
General Galtieri after his Argentine army invaded the few small islands off the
coast of South America in the protection of the UK government. Andy had married
Sarah but divorced her and the fiction was Koo would wait. Saddam Hussein`s
invasion of Kuwait continued the `Koo` theme after the Twin Towers of the New
York actress` home state were demolished by Hussein`s supporters. Like the legs
of a New York giant the towers were both broken in an attempt to establish a
coup. Because `rough trade` is the term used by men for boys they pay for sex
in pederasty, the destruction of the World Trade Centre was an attempt to
reestablish the `brutality and violence`1 of `rough trade` in homosexual
pederasty and war which was the coup
d`etat of the terrorists.
New York actress,
Koo, was again the mnemonic for war, that is, over Kuwait and afterwards to
`break a leg`, that is, prevent the woman from acting against homosexual
pederasty and war`s contagion, which in the late 20th century was
the biblical `blood plague` of HIV/AIDS, as a genuine metaphor for men`s
virality. The acceptance of guests who turn out to be viruses is common in
history, for example, the Greeks, who made the enslaving of women`s host wombs
an institution in homosexual pederasty, captured the city of Troy by leaving a
huge hollow wooden horse outside the Trojan city and emerged to enslave the
women`s host wombs after the citizens took the `friendship gift` inside their
walls:
`Beware Greeks bearing gifts.`2
Judas Iscariot was a
guest of the host at the `Last Supper` and betrayed Jesus Christ, while the Al
Qaeda terrorists were guests of the USA on 9/11 and were treacherous. Jesus`
mother was the Virgin Mary, so he was `futanarian`, that is, `woman`s seed`
born uncontaminated by the `serpent`s seed` of men, so human. As Judas` treachery
against the host was a betrayal of the human race, so Al Qaeda`s treachery
towards the Americans was a betrayal of the `futanarian` human woman with her
own penis` semen and capacity to sexually reproduce human brainpower, that is, preference for the coup d`etat of war in homosexual pederasty, rather than `woman`s
seed` in the `Big Apple`, betrayed Jesus Christ, and the ruins of the Twin
Towers represented the enslavers and destroyers of `woman`s seed`, who were
idiomatically left `without a leg to stand on` in front of Mary, `queen of
heaven`,3 and God.
The `Scottish play`, MacBeth, is about Elizabeth I`s removal
of Mary, queen of Scotland, her sister, for treason. In the play Macbeth`s wife
removes the Scottish king so she can be queen and Macbeth king, while Elizabeth
I removed her sister, Mary, so Elizabeth could be queen of England and
Scotland. The `Scottish play` was a reference to Elizabeth I`s successful coup,
whereas the defeat of Saddam Hussein was the reestablishment of `rough trade`
by means of the `Trojan horse` virus of Al Qaeda`s crashing of the hijacked
planes into the Twin Towers of New York actress` Koo`s home state. The
demolishing of the World Trade Centre was a coup against `woman`s seed` in the
`Big Apple`. Even though there`d been a successful coup when the Iraqi army was
forced to leave Kuwait, which was the `seed` of the future Arabian women had
waited for. New York Koo`s failure to marry `Randy Andy` was a mnemonic for the
coup that didn`t happen in the United Kingdom and the coup that didn`t occur in
Kuwait, but the coup to reestablish the enslavement of women`s host wombs in
pederasty and war`s contagiousness did occur on September 11, 2001, because
`rough trade` was reestablished amongst
the Earth`s leading homosexuals as the paradigm for the 21st century.
Koo Stark`s career as
an actress hangs on just a single further feature film, Cruel Passion (1977), based on the Marquis De Sade`s Justine (1791) in which a young virgin is
forced into a depraved world of
prostitution and torture, while her sister, Juliette, only practices sexual
freedom and so is happy. Men prefer victims, so Juliette is to be perceived
negatively as `wanton`, whereas she`s sexually improvable as a woman with a
host womb for her own `futanarian` species` `seed`. Koo Stark`s only other
major cinematographic role, apart from Ana in Adolescents (1975), which detailed the career of a nude model, was as
Camie Marstrap in Star Wars IV: A New
Hope (1977), but her two scenes were deleted from the movie, as the removal
of the Twin Towers may also be understood as a filmed `deletion` of the `seed`
of a future hope from the `Big Apple`.
Koo`s character, Camie Marstrap, lived on Tatooine, where
Anakin Skywalker was a boy, who became Darth Vader, the Empire`s enforcer.
Darth isn`t Anakin in the same way that Ana isn`t kin to Vader through Koo`s
movie, Adolescents, because Darth Vader represents a different form of
corruption. Camie`s favoured place of resort on Tatooine is Anchorage, which is
known as `Old City New`, and would be a reference to the old English city of
York and Prince Andrew`s role as Duke of York, if New York actress, Koo, had
been given the role of Camie. Because Koo was Ana in Adolescents and Darth Vader was Anakin, the connection is kinship
between evil. Darth Vader was a Jedi knight, but embraced the `dark side`,
while Osama Ben Ladan was born into a rich Saudi Arabian family and chose
terrorism.
Europe is often
thought of as corrupt and evil in comparison with the USA and, although Koo
didn`t marry `Randy Andy`, the Duke of York,
because she was a pornstar, and not an actress, according to English
class distinctions, her film, The
Awakening Of Emily, criticized `class` and made America`s Koo attractive to
Andrew, who was then educable. The education was that nude models are corrupted
but aren`t evil, whereas those who choose evil are corruption. Vader would have
demolished the Twin Towers to maintain Empire, whereas the `foot` of Ana, that
is, Koo as the `futanarian`, represents the development of the human species of
woman with her own penis` `seed` despite corruption. Although it`s pornography
that shows women they have penis` `seed` of their own as `futanarian` women for
the sexual reproduction of their own brains` powers for liberation and
successful socio-economic independence from slavery and war, Koo was anathema
to those who were `better bred` amongst the English aristocracy because she
represented the hope of her generation for a classless society built on the US
`model`.
To women with penis`
`seed` of their own, all women are mothers and so independent of `class`
because they`re not defined as less. Koo
was deleted as `hope` from Star Wars IV because
independent women, as the `futanarian` race, need two legs to stand on and represent
the support of mankind as the other leg of a human society. The two legs of New
York`s World Trade Centre were similarly demolished so that the new
socio-economic future of independent womankind with her own penis` semen for
reproducing her own brains` power for liberation would be prevented from
gaining a foothold upon the Earth after a return to homosexual pederasty and
war. Human `futanarian` woman with her own penis` semen doesn`t need men,
because the host wombs are her own and she has her own penis` `seed` for the
`footrace` to win. Coming from a `classless` American society, Koo as Camie was
what the English don`t want, which is the woman of Europe giving birth to the
`New Redeemer`, Jesus Christ, in his `Second Coming` after his death at the
hands of his betrayer, Judas:
`A great sign
appeared in the sky, a woman clothed with the sun, with the moon under her
feet, and on her head a crown of twelve stars. It was with child and wailed aloud in pain as
she labored to give birth. ` (Rev:
12. 1-2)
Camie Marstrap represents
what the English call `game`, that is, Koo kept trying to have a `success`,
which made her representative of the woman of the `apocalypse` whose child
can`t be devoured by the `serpent`s seed` grown in size to become a `dragon`
waiting in vain to devour her `futanarian` human species of woman bearing the
child of her own `seed` who will `rule the nations with an iron scepter` (Rev: 12. 5). The flag of Europe has
twelve stars while the moon and Mars are the first steps to the planets and
stars for humankind. The flag of Al Qaeda was the moon and the flag of Japan is
a red circle while Mars is the red planet. The `pearl of great price` (Matt: 13. 46) is `heaven on Earth` as
elsewhere while Pearl harbor, Hawaii, was the target for the Japanese on 7
December, 1941, when the US Pacific fleet was attacked by Japan. The US
unleashed the `power of the sun` to defeat the Japanese in World War Two when
dropping atomic bombs on Nagasaki and Hiroshima in 1945, while the statue of
`Liberty` in New York harbor observed the true moon calmly reflected in her
birth waters after the death of Osama Ben Ladan, leader of the Al Qaeda
terrorists, on May 2, 2011, which meant the defeat of the flag of their moon.
In Arabia the moon is traditionally male, whereas heaven isn`t. The red planet
of Mars is Japan while the yellow moon is Al Qaeda, because both represent the
reestablishing of the Earth as a `prison camp` for women. Koo, the New York
actress, is Camie Marstrap, because Mars, the god of war, has trapped her human
species.
The `pearl of great
price` is the true moon as the first step to Mars, which is the god of men`s wars
in Roman mythology. Male power has to be overcome before the human race of
`futanarian` woman with her own penis` `seed` for the reproduction of her own
brainpower for socio-economic independence and liberty through technological
advancement can escape. Koo is the
deleted `Camie` from Star Wars IV: A New
Hope because she`s `gamey` and believes in waiting; for Jesus will come
again. In Hollywood the `one foot on the floor rule` was established in 1930
and was in force until 1967 in romantic scenes to `program` the movie industry
with the premise that woman`s `futanarian` sister should never raise her foot
from the Earth through sexual reproduction with her own species. Deleting the Twin Towers and Koo`s two scenes
from Star Wars: A New Hope was a sign
that women would never be able to stand against the evil Empire represented by
the first `Death Star` constructed to kill the planets of the Federation and a
second in Star Wars Episode VI: Return of
the Jedi (1983) was also destroyed by the `rebels`.
The Jedi are
futuristic knights who embody the fight for freedom, but the stereotyping of
men as women`s heroes is fiction. The American `class system` is based on
Hollywood`s `royalty`, that is, anyone can be a movie star, just so long as she
isn`t a woman with a penis of her own. The fate of the Twin Towers recorded in
the movie World Trade Centre (2005) and
the deletion of Koo from Star Wars: A New
Hope represent a reinforcing of class society on the English model, which
is based on women`s inferiority as the human species. The actual `death star` in
America`s genuine `star wars` is the sun
beneath which Hollywood`s sunderers of the human species of `futanarian` women
with their own penis` `seed` live by denying her life. Because of the moon`s
symbolizing the reestablishment of homosexual pederasty and war after the
yellow moon of the terrorist flag of Al Qaeda`s crashing planes into the World
Trade Centre of New York on 9/11 to precipitate global `rough trade`, the USA`s
defeat of the red sun of Japan by atomic weapons is a symbol of the sundering
males` activities, while the red planet Mars, the god of war, and the sterile yellow
moon of cowardliness symblolize women`s `death camp` as men`s small wedding
gift to her:
`Out damnéd spot!` (Act 5, Scene 1, l. 35)
The line is spoken by
lady Macbeth in `the Scottish play` because she murders the king herself and
can`t wash the blood off her hands, which is men`s situation with regard to
women`s human species of `futanarian` woman with her own penis` semen. Having
defeated the red sun of Japan by unleashing the power of the sun and
reestablishing homosexual pederasty and war after defeating the moon of Al
Qaeda`s terrorism, the sundering `serpent`s seed` of men`s inhumanity has
restored woman to her ancient role of Babylon, `mother of harlots and of the
abominations of the Earth` (Rev:
17.5). In Shakespeare a prostitute is a `pot`, and so she`s a `damned AIDS
pot`, as Shakespeare`s Lady MacBeth would be interpreted in the 21st
century. Lady MacBeth is an archetype of
the woman who can`t leave because she`s imprisoned in men`s fiction. Even
though God has told mankind to convert from their sin of enslaving women, or
experience eternal unendurable pain, that is, perdition, as God`s punishment
for refusing to accept Redemption from the `blood of Jesus` as representing the
`washing away of sin` in forgiveness rather than the continuing pursuit of
vendetta against each other and `woman`s seed`:
`Men cursed the God of heaven for their pains and their
sores but refused to repent of what they had done` (Rev: 16. 11)
Lady MacBeth is Everywoman
in Shakespeare`s play, because it`s about Elizabeth I`s removing of queen Mary
of Scotland as an act of political expedience, but Shakespeare is assassinating
`woman`s seed`, because all women are tainted in the depiction of Lady MacBeth
as a fictional murderer. In reality men`s espousing of Mars, the god of war,
and the moon as a symbol of male power from which women can`t escape, is the
`bloody spot` from which they can`t wash their hands clean because God`s `seed`
isn`t damned:
`Here's the smell of the blood still. All the perfumes of
Arabia will not sweeten this little hand. O, O, O!` (50-2)
The name Saddam
Hussein means `crusher` and `small handsome man`, which means that his hand is
small, but so is the `damnéd spot`. In the Bible
Eve`s head is crushed by the serpent whose foot is bruised. Human `futanarian`
woman with her own penis` semen for the sexual reproduction of her own brains`
power is scarce in Western thought, because her head is crushed by the small
handsome men of Hollywood, Babylon, which was the ancient seat of the Persian
Empire situated in Iraq, where leading actor in the Gulf wars, Saddam Hussein,
was the `small handsome man` and `crusher` of the `woman` seed` by virtue of
his name and his role. The small handsome men of the West can`t escape from their
sin of crushing the heads of the women of the Earth; no matter how much Arabian
perfume they pour on themselves after another hollow whoresons` victory. The `damnéd
spot` will remain if they don`t accept being `washed in the blood` of Jesus`
forgiveness and cease from `perpetual enmity` towards the human race of women.
2 Virgil The Aeneid
Bk II, 19 BC.