The Internal Combustion Engine
There’ve been several theories about what an automobile is;
for example, it’s a television, because men and women are bred as a single male
brained creature wearing each other’s clothes, that is, as a transvestite ‘TV’,
so the car, which conveys the feeling of remaining in the same place for a
passenger, while visited by the universe, is a mobile television. Observing the
people getting in and out of their vehicles suggests a mode of delivery, that
is, the car is a teleporter, after the fashion of the ‘transporter beam’,
aboard the starship Enterprise, commanded by actor William Shatner, in his role
as Captain James T. Kirk, in the original science fiction television series, Star Trek (1966-69), which transmits
members of the crew to their destinations instantaneously from the starship to another
vessel, or planet, etc. Although people are slow, that is, their capacity to
remember severely limits their ability to recognize-react, car teleportation only
seems slow, as time is relative.
German physicist Albert
Einstein’s (1879-1955) ‘theory of relativity’ formed the basis of the juvenile
novel, Time For The Stars (1956),
written by science fiction writer, Robert A. Heinlein (1907-88), which argued
for the existence of ‘torch ships’ traveling at the ‘speed of light’. The story
was about Tom and Pat Bartlett. Tom traveled to the planets amongst the stars
while his brother aged and died, because time passed aboard a starship was
relatively shorter.
However, as TV
repeats, everything occurs again, so the impediment to life is brain
impairment, where adequate memory capacity is required, so to make improved
decisions based on previous experience. Although the ancient Hindu religion of
the subcontinent of India, based on the Veda (c. 1500-900 B.C.) scriptures, defines the inability to remember of
those who’re reincarnated as karma, in
modern terms those are the television images for whom the car is a natal
medium, that is, they’re born from their mother again as the car’s TV re-run
nativity, where the object of rebirth is to make better decisions based on the
knowledge accumulated through the experience gained from past lives.
In Heinlein’s Time For The Stars the torch ship is a
stage in the development of instantaneous faster than light travel (FTL)
throughout the cosmos which means that light speed ships are illustrative of
the need to develop the science of rejuvenation. If Pat dies, while Tom’s still
traveling around the universe, Tom’s closer to immortality. As the starships achieve
faster than light travel, Tom remains young, while generations of people are
born, live, and die upon the Earth. Moreover, if the science of rejuvenation
confers immortality upon Tom, it’s the equivalent of being instantaneously
transported, for example, if he’s physically young again, with all of his previous
memories accessible, he’s where he was before. However, for TV people on Earth,
rejuvenation requires that all of the reincarnated previous experience of past
lives be accessible to the individual memory, so that informed decisions can be
made, which is difficult, because they’re where they were before, that is,
damned if they can’t remember.
Starship travel at
faster than light (FTL) speeds is a concomitant of rejuvenation, which is the
equivalent of transportation, that is, teleportation at a speed faster than
light, so that the individual hasn’t experienced any physical deterioration in
the course of their journeying, which may have taken ‘light years’ to
accomplish,1 for example, is what rejuvenation is. The individual who can
travel forever without deteriorating can always find their origins, as their
memory isn’t blind, so they’re time-travelers too, because reincarnation and karma is a form of blindness, that is, if
the mind can’t remember, the eyes can’t see.
In the early days of
interstellar space travel the use of cryogenics was indicated as being
necessary because of the length of the journey’s deteriorating the physical
strength of the body, for example, 21st century spaceship technology
couldn’t reach Alpha Centauri, the nearest star system to the Earth’s, within
100, 000 years, so it’d be logical to suppose that cryogenic sleep, that is,
freezing the body, would be an option. In cryogenics the frozen body is awoken
at journey’s end, so it’s the equivalent of instantaneous teleportation and/or
faster than light travel, that is, the body hasn’t traveled, which is
rejuvenation. However, cryogenic sleepers dream, which is where the archetypes
of the developmental psychologist Carl Gustav Jung (1875-1961) drive the
individual consciousness to higher levels.
According to Jung the
individual human consciousness has an unconscious ‘Self’ which contains as a facultas praeformandi, the ‘God
archetype’, which is the source of a plethora of archetypal impulses that drive
consciousness to develop. Jung argued that the archetypes were discernible as
figures and/or images in the dreams, art and imaginations of humans, for
example, the anima archetype was the
soul image, which could appear as a wise old woman, queen, witch, lover, and/or
wife, etc., insofar as she represented a picture of the developing
ego-consciousness of the individual in relation to the external reality. The
contrasexual component in women was the animus:
a crowd of male admirers. However, although Jung observed the importance of the
hermaphrodite in alchemy, that is, the medieval precursor of medical science’s
preoccupations with rejuvenation, that the human race of futanarian women with
their own penis’ semen for the sexual reproduction of their own brains’ powers
to take them to the planets amongst the stars of heaven, Jung failed to
recognize that the male circle surrounding women was a slave ring coercing the
human host womb of women to accept its parasitism. Consequently, although the anima was human, it belonged only to
women’s seed, whereas men were in the role of parasitical demons.
When the demons
emerge in cryogenic sleep, it’s as brain slavers, for example, Star Trek: The Original Series, is a description
of what demons do: they ‘make’ pictures. Doing what they want them to, the
characters correspond to the pictures ‘made’ by the demons. When the faster
than light drive is invented, it’s because the demons have been the race
drivers, that is, the human race is a ‘cargo cult’, which was a phenomenon
noted by servicemen of the United States in the Pacific theater during WWII
(1939-45) amongst islanders who built models of airplanes without knowing how
they flew, which suggested they’d develop a parallel evolution of airplane
design and manufacture lagging behind by many years that of the developed world.
Used as a model by unscrupulous slavers, cargo cults made pictures of humans
that were backward, that is, after the development of the FTL drive, humanity
was enslaved.
The relationship
between Tom and Pat Bartlett is that of the demon and the enslaved/damned. Tom
has the torch ship and light speed, which will be superseded by FTL and
instantaneous teleportation, that is, rejuvenation, while Pat has death and
reincarnation in which the only possibility for this Jonah in the wheels' belly is to be able to
remember how to invent the torch ship, while the cargo cult slavers’ brain damning
prevents a re-run. The likelihood is that the demons so the same thing with
every species that achieves interstellar space travel, because that’s what
they’re for. A way of obviating demonic possession is to devise a method of traveling
without the cryogenic sleep necessary for a race devoid of an interstellar
spaceship drive to lessen the time needed to bridge the space between such vast
distances as Sol and Alpha Centauri, but the demons would remain in latent
anticipation of some other means of emerging to enslave.
The development of
the car is that of the ‘cargo cult’ and reincarnation, that is, karma, wherein the brain damned are
blind, that is, they can’t remember what has been, so they can’t make informed
decisions, based on previously gained knowledge from their several lifetimes’
experience as an individual. Central to Jung’s theory of individuation was the
ourobouros archetype which, a serpent with its tail in its mouth, was interpreted
as the essence of the ‘projection making factor’, which was the role of the
archetype in the human mind. The individual became more conscious and aware
through recognizing and coming to terms with archetypes. The ourobouros was a
symbol of the beginning and the end, that is, Alpha and Omega, which is what
Jesus ‘Christ’, ‘the chosen’, described himself as.
Born from his mother,
the Virgin Mary, Jesus was woman’s seed, executed during the Roman occupation
of Palestine, in the reign of the Emperor Tiberius Caesar Augustus (14-37
C.E.), for teaching, ‘Love your neighbor as you love yourself.’ (Mk: 12. 31) Taken to the hill of Calvary
outside the city of Jerusalem Jesus was nailed to a cross of wood, where he
died, but he experienced Resurrection and Ascension to heaven in prefiguration
of that of women’s seed. Discovered with a woman anointing him with the
expensive perfume, spikenard, Jesus’ disciple Judas’ spy canard was that the
perfume should be sold to raise money, but Jesus demurred, ‘Leave her alone.’ (Mk: 14. 6) Judas betrayed Jesus to the
Pharisees, the Jews’ religious police, because he perceived Jesus as a threat
to the host womb slaving of the human futanarian species of women’s seed by the
demons.
It was the German
organic chemist, Auguste Kekulé (1829-96), who saw the archetype of the ourobouros
serpent in a dream in 1862, and awoke envisaging the structure of the benzene
molecule, that is, petrol, which is the fuel for the internal combustion engine
that drives the car. As women are the human futa
race, they’re Alpha and Omega, beginning and end, which is what the car represents.
However, as a means of activating the transporter, the transmission of the
engine is that of the virus of hell, that is, internal combustion is the means
to transmit the occupants of the vehicle as AIDS/SARS.
As the cargo cult
doesn’t regenerate, the organs degenerate, which is what the internal
combustion engine is a symbol and metaphor for. The human deficiency virus
(HIV) was discovered by DR Congo in 1983 being transmitted between homosexual
men inserting their penis into each other’s anuses. The resultant acquired
immune deficiency syndrome (AIDS) collapsed the organs of the body causing
brain death. When severe acute respiratory syndrome (SARS), caused by the SARS
virus, resulted in millions of deaths globally, after its emergence in 2002 in Yunnan
province, China, scientists suggested its effectiveness was the consequence of
a human immune system weakened by AIDS, that is, after the Marquis de Sade’s
infamous novel, 120 Days of Sodom (c. 1785), the fiery Sade’s ass was the virus
AIDS/SARS, and the internal combustion engine (ICE) its counterpart in a
demonic picture straight out of Alighieri Dante’s vision of hell, Inferno (1320) in which fire and ice is
the contrapuntal theme in the punishment meted out by God to the evil.
By the 21st
century the cargo cult had become a car bomber. The invasion of the Ukraine on
February 24th, 2022, by the Russian Federation, ordered to do so by
President Vladimir Putin, was met with dismay when it was revealed that the Red
Army was relying heavily upon the missile launched heavy flamethrower, TOS
(TOC) 1 and 2 system, which effectively mirrored the two stage ‘biological
weapon’ developed by homosexuality alien to human existence, that is, AIDS/SARS
virus’ weakening of the human organs to induce flatulence, as a symptom of
susceptibility, correlating with the TOS first stage laying of a flammable
vapor, before ignition created the fires that sucked all of the air from the
lungs in the style of the SARS virus; incinerating everything within the target
zone.
That Africa’s DR
Congo was communist when AIDS emerged there, and communist China was where the
SARS-2 pandemic began at a Wuhan city hospital, Hubei province, in December
2019, contributes to the image of Vlad ‘the red dragon’ Putin, after the
fashion of the 15th century’s Vlad Dracul III of Wallachia, now a
part of modern Romania, whose method of dealing with his victims was to impale
their anuses on stakes of wood, thereby releasing flammable fart gas, before they
were burnt. Dracul (1428/31-1476/77) was the model for Irish writer Bram
Stoker’s novel of the vampire, Dracula
(1897), which agrees with 21st century assessments of Vlad ‘the oven’
Putin as a bloodthirsty vampire, persuading the Ukrainians to ‘put out’ the
virus, before raising hellfire there again.
To the Russian leader,
the Ukrainians were some craniums equivalent to doctoral (PhD) students at
University, who to the Red Army were the equivalent of stuffed animals when
they’d graduated, that is, they were food (PhD), which the Red Army was paid
for cooking, and afterwards the Ukrainians could ‘put out’ some more to make
some more stuffed animals for the pot, which is what the Russians thought their
former ‘satellite states’ in Eastern Europe, that is, those nations that came
under the sway of the Union of Soviet Socialist Republics (CCCP), after the
defeat of dictator Adolf Hitler’s National Socialist (Nazi) Germany’s attempt
to enslave and burn the brains of the region in the ovens of its death camps in
WWII, and before the USSR’s December 1991 hypocritical endorsement of a future Commonwealth
of Independent States (CIS), which initially included Russia, Byelorussia, and
the Ukraine, were for. Hitler was wasteful of brains that could have been internally
combusted by the ‘commies’.
1 A ‘lightyear’ is the distance traveled by light through the vacuum of space during a solar Earth year (365 days), that is, 9.46 trillion kilometers (9.46 × 1012 km).