Jesus Was Plane Bummed Before He Could Get It Up
The reason Jesus ‘Christ’, the Messiah of the religion,
known after him, as Christianity, was killed, is less complicated than the
method. Although the reason isn’t as most readers of the Bible understand it to be. The beginnings are in the Talmud and
Torah, that is, the history and law of the Jews, called the Old Testament by Christians, superseded
by the teaching of the Jewish rabbi, Jesus, called the New Testament, according to Christians, ‘Love your neighbour as you
love yourself.’ (Mk: 12. 31) While
Judaism recognizes Jesus as a teacher, he isn’t consubstantial with the
creator, God, which is the case amongst Christian believers.
The basis for a joint
Judeo-Christian belief is the creation of Eve, the woman, in the paradise of
Eden, given ‘the fruit of the tree of the knowledge of good and evil’, which it
was death to taste, by the angel, Satan, turned into a serpent by God, while
Eve, and the first man, created by God, Adam, were expelled from Eden for
rejecting ‘the fruit of the tree of life’, which was immortality, although Eve
was promised by God that her ‘seed’ would prevail, ‘You shall crush the head of
the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) According to Jewish midrash, that is, exegesis, Adam was a
hermaphrodite, which suggests that as Eve, described as created by God from
Adam’s rib, or side, was a self-birth, following a self-fertilization,
hermaphrodites, called futanarian, or futa,
are women’s seed, known as the ‘foot’ of God, as they’re capable of producing
the brainpower needed to defeat the serpent’s seed of their castrators.
Jesus’ basic teaching
centred upon women, for example, when a woman was brought before him accused of
adultery, he demurred, ‘Let he who is without sin cast the first stone.’ (John: 8. 7) As women, as a species, are
adulterated by men’s seed, they can’t be guilty of adultery, while Jesus’
disciple’s Judas’ catching the Messiah alone with a woman, and reporting it to
the Jewish religious police, the Pharisees, prevented Christ’s seed from
fertilizing a woman. Taken to the hill of Calvary, outside the city of
Jerusalem, by the Romans, then occupying Jewish Palestine, during the reign of
the Emperor, Tiberius Augustus (17-37 CE), Jesus was nailed to a cross of wood
there, where he died, but experienced Resurrection and Ascension to heaven.
Although most readers
observe that to be the end of Jesus’ seed, the fact that he’s depicted as being
born from his mother, Mary, a virgin, represented in Christian iconography as
crushing the head of the serpent with her foot, suggests Jesus was women’s
seed, which is why he was killed, as the serpent’s seed wanted to enslave
humanity, whereas the seed of the ‘foot’ represented the brainpower needed to
escape the curse of death, laid upon Eve and Adam in Eden by God, through the
rediscovery of immortality by means of medical science.
That the cross of
Jesus is in the shape of an airplane for Satanism relates to the coffin nails
holding the body of the Messiah to the wood. The Roman guard, Longinus, upon
Jesus’ expiring, said, ‘Surely, this was the son of God.’ (Matt: 27. 54) Satanists, and this is made plain in the movie, The Greatest Story Ever Told (1965),
with US’ actor, John Wayne, as Longinus, who pierces the side of Christ with
his spear, hear ‘Surely, this was the snuff guard.’1 That ‘smoking’ is a
euphemism for killing, and that
cigarettes are often described as coffin nails, while John died of the
‘Big C’, cancer caused by smoking cigarettes, relates to the use of ‘ground
tobacco’ as snuff.
Ingested nasally,
originally cocaine, later popularized as crack-cocaine, ‘snuff’, as a term for
illegal movies, made of actual tortures and murders, ostensibly derives from
the action of snuffing out a candle, although in Satanism punishment is
administered, through an illegal process, known as ‘bell, book, and candle’,
where the book is the Bible, and a
bell is used as a ‘snuff cap’, placed upon a candle flame, to indicate the end
of the life of the victim, who’s ‘snuffed’. As Satanists are for killing God,
lest God see what they do, Longinus was ‘snuff God’, while Jesus’ coffin nails
represent the ‘Big C’ that killed John, as a cure would require the brainpower
of Jesus’ seed, whereas Satanism is slavery in ephemerality, as those without
sufficiently long memories to store and impart the knowledge of their
experience of Satan’s seed are easily victimized.
Although Jesus’
Resurrection and Ascension took place at a tomb where his body was laid, called
Logos, ‘the Word’, it’s no accident that the Avro Vulcan bomber, cratering the
airfield runway at East Falkland’s capital, Port Stanley, on May 1, 1982, to
assure the victory of the British forces on the Falkland Islands, 300 miles
east of the southern tip of Argentina, against the invading forces of Argentine
dictator, Leopoldo Galtieri, took off from Ascension Island, midway between the
coasts of Brazil and Africa in the South Atlantic ocean, as shaped like the
cross of Jesus’ crucifixion, the airplane is the product of Logos, that is,
logic, representing the development of the technology of flight, as in Jesus’
escape from the tomb, whereas bombs represent coffin nails.
Without brainpower
from women’s seed, the crushing of the head of Satanism by Satanists is likely
to perpetuate itself endlessly. While Judeo-Christianity engages in platitudes
about ‘gender equality’, God’s foot is a castrate. If the hermaphroditic race
of women have all of the wombs, they have all of their penises, which means any
invasion is an alien attack. That’s a perception of educational use, as it’s
generally assumed that armies of men are normal. If educationalists were
empowered to illustrate that it’s women’s seed that’s human, invaders would be
instantly identifiable as alien monsters, but Jesus’ teaching is denied. If it
weren’t, all aircraft would carry just passengers, rather than bombs to destroy
women.
The theory that Jesus
was an alien is quite common, while Jesus’ disciple John’s apocalyptic vision
of the future, Revelation, of Jesus’
‘Second Coming’ to the Earth, as ‘he who will rule the nations with an iron
sceptre’ (Rev: 19. 15), supports the
‘flying saucer’ hypothesis, as an extension of airplane technology into heaven.
While the conceptual structure of women, as representing cups full of milk on
saucers, is most carefully illustrated by the rock group, Pink Floyd, in their
second album, A Saucerful Of Secrets
(1968), later released with their first album, as A Nice Pair, featuring a woman’s nude breasts on the cover, as well
as flying saucers, and the lyrics to the track, ‘Let There Be Light’, revealing
more:
‘Then at last the mighty ship
Descending on a point of flame
Made contact with the human race at Mildenhall
…
The outer lock rolled slowly back
The service men were heard to sigh
For there revealed in glowing robes was Lucy in the sky’2
Leaving aside the
probability of the British Royal Air Force (RAF) airbase at Mildenhall, shared
with the US since 1950, as the scene of the ‘close encounter’, and the oblique
reference to The Beatles’ track, ‘Lucy In The Sky With Diamonds’ (1967), about
the consciousness-expanding drug, lysergic acid (LSD), the conjunction is of a
woman with cupped breasts, as a ufonaut, where UFO is an abbreviation of
‘unidentified flying object’. Imagery further augmented in ‘Remember A Day’,
where the woman, presumably, is told:
‘Hide from your little brother's gun
Dream yourself away
Why can't we reach the sun?
Why can't we blow the years away?’3
In ‘Set The Controls For The Heart Of The Sun’ it’s
reachable. Women, no longer able to hide from ‘Little Boy’, the name of the US’
A-bomb, dropped on August 6th, 1945, by the B-29 superfortress
aircraft, Enola Gay, named for the pilot’s mother, on the Japanese city of
Hiroshima, to effectively end, in the Pacific theatre, Japan’s participation,
alongside the other Axis Powers, Europe’s Germany and Italy, in WWII (1939-45),
their sons are preparing to blow them all away, before they get off the ground:
‘Witness the man who raves at the wall
Making the shape of his question to Heaven
Whether the sun will fall in the evening’4
The Japanese
Mitsubishi A6M Zero kamikaze
(suicide) fighter pilots that crashed their planes into the decks of the US’
carriers, in the ‘sneak attack’ that had begun WWII in the Pacific theatre for
the ‘fascist’ powers aiming to enslave the peoples of the Earth, as the US’
Sixth Fleet lay becalmed at Pearl Harbor, Hawaii, on December 7th,
1941, were known as Japan’s ‘sons of heaven’, whereas the ‘Fat Man’ A-bomb,
dropped by the B-29 superfortress aircraft, Bockscar, on the Japanese city of
Nagasaki, on August 9, 1945, was the second of the US’ ‘suns of heaven’, with
the women below.
The actual metaphor
of the Pink Floyd album is a saucer full of cigarettes, as smoked is what women’s
seed are, which explains the bucket of fish in another of the nine ‘window’
record cover for A Nice Pair. As
Satanists are aliens, the women’s cups were full of milk, but as they represent
the futa their flying saucers are metaphorically full of smoked fish. To
prosecute the analogy further, to Satanists women are the equivalent of the
seed of the tobacco plant.
Shag tobacco, often
used to mix with the controlled drug, cannabis, that is, ‘pot’, as a euphemism
for women’s sex, before it’s ground snuff, is symbolic of women’s role up
(roll-up), as women’s seed is capable of colonizing all of the habitable
planets amongst the stars. Because of their capacity to exponentially reproduce
themselves sexually, the futa of human nature is a ‘fooder’ in Satanist
socio-economic terms, and their plan is to slaughter it for possession.
The fate for
‘visitors’ from the futa is to be a saucer full of secret butt smoke, as
women’s mode of sexual reproduction is tabooed to extinction by Satanism to
maintain its enslavement of the human race, and possess it amongst the stars of
heaven. The argument for drug use per se,
as enslavement, was primarily linguistic to US’ novelist, William S. Burroughs,
who believed writing and speech to be the work of a parasitical organism.
According to Burroughs, who was also a homosexual, ‘words’ were the sign of an
alien entity, replicating through human speech and thought, and largely
unrecognized as an ‘Other Half’,5 which was achieving an identity, submerged in
symbiosis to control, and ultimately kill, the host.
Burroughs was a
homosexual addict, as described in the partially self-autobiographical novel, Junkie (1953), and he advocated
scrambling the brain, as a solution to his ‘language is a virus’ perception,
while the widely understood to be ‘incurable killer disease’, AIDS, discovered
in 1983 by Africa’s DR Congo, and transmitted anally between ‘queers’, was in
fact a virus that scrambled the brain, as Burroughs had wanted.
Despite his apparent inconsistency
in rejecting God’s ‘word’, that is, for him men were just butt holes for
cigarettes, penises, and other injections, and women didn’t figure at all, Burroughs
did represent insight into the language of homosexual addicts. ‘Old Nick’ is
Satan, worshiped by Satanists, for example, and the modern ‘nick’ is a slang
term for imprisonment, where men are generally kept together, as homosexuals
like it, inmates, which is why men are made guilty by law. While nic, that is,
nicotine, the cancer-promoting drug, found in tobacco, is the first tab’ in the
‘bac for a teen by the local ‘pusher’ of butt-holing.
That crack is a
euphemism for a homosexual’s butt hole, as well as women’s couldn’t - cunt -
produce a futa, relates to the fact that addicts want to feel comfortable. Most
drugs are designed to persuade the brain to produce more of its natural supply
of the calming dopamine, that is, ‘dope’, and slavers want to be paid. As sex
slavery is a concomitant of language’s denial of the existence of futa,
Burroughs’ assertion that language is a parasitical alien is inaccurate, as
Jesus, God’s ‘word’, is the representative of Eve’s seed in the futa.
As addicts are
susceptible to suggestion, they’re dopes, who’re doped by slavers, while
language is viral to them. They ‘shoot’ heroin, therefore they shoot heroines,
and they smoke crack-cocaine, as they’ve killed the futa of women’s seed, who’d
cracks, and cocks as well. The cannibalistic ingestion nasally of the futa of
women’s testicles are figuratively heroin-cocaine ‘speed balls’, as that’s how
the butt slavers slave. Such will do anything to feed the alien more butts; aborting
the futa child by the crack of the cunt of women’s seed.
1 Wayne, John as ‘a Roman centurion’, The Greatest Story Ever Told, George Stevens Productions, 1965.
2. Waters, Roger ‘Let There Be Light’, Pink Floyd, A Saucerful Of Secrets, EMI Columbia,
1968.
3. Wright, Richard ‘Remember A Day’, Pink Floyd, A Saucerful Of Secrets, EMI Columbia,
1968.
4 Waters, Roger ‘Set The Controls For The Heart Of The Sun’,
Pink Floyd, A Saucerful Of Secrets,
EMI Columbia, 1968.
5 Burroughs, William S. The
Ticket That Exploded, Olympia Press, 1962, p. 23, op cit.